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Jean-Luc Ponty: Imaginary Voyages, Part 1
by Peter Rubie
Part 1 | Part 2 Jazz is an art form that has been a singular hothouse of musical talent over the decades. There are, and have been, lots of not just great but brilliant players. But perhaps not unsurprisingly, there have been far fewer jazz originals. I mean by that, musicians whose playing has ...
Race and Jazz Criticism
by Greg Thomas
When I began this Race and Jazz series several months ago, I knew the topics I wanted to touch upon, and the general culture vs. race point-of-view I intended to pursue. With those chord changes (topics) and that melodic perspective (pro-culture, anti-race) in mind and at play, I figured I'd proceed with the rest by ear. ...
Jimmy Scott: Across the Universe
by Chris M. Slawecki
Listening to Little Jimmy Scott sing is different from listening to any other singer. His high-pitched voice carries more emotion than any instrument can reasonably bear, and seems to come from a special place deep within his heart. Yet that voice also seems to resound from a profound source far beyond any one man, a place ...
Will Vinson: Planted and Growing in New York
by R.J. DeLuke
Like many musicians of his generation, growing up in the rock-and pop-dominated 1980s, saxophonist Will Vinson got his indoctrination to jazz from the sounds emanating from the stereo system in his home, hearing the likes of Dave Brubeck, Duke Ellington and Count Basie from his father's record collection. He took a liking to them. Especially Basie, ...
Conference Call: What About...?
by Raul d'Gama Rose
It has been said that live music offers the composer the opportunity to add the final ingredient in the decoction of their creation: the audience. In the case of Conference Call's 2007 concert in Krakow, Poland, documented on the double-disc What About...?, there's the dramatic addition of completely spontaneous, improvisations by one or more of the ...
Bruce Barth / Steve Wilson: Home
by Larry Taylor
The increase in house concerts throughout the country is apparent, taking place in big cities like Los Angeles, San Francisco and Baltimore, as well as in smaller towns such as Columbia, Missouri, where this recorded duo date took place. Appearing at the home of Barbara Tellerman and Allyn Sher in 2009, pianist Bruce Barth and saxophonist ...
Blaise Siwula and Dom Minasi: Live at The Matt Bevel Institute
by Gordon Marshall
Dom Minasi is an acutely sensitive guitarist with an oblique approach and an aim to please, plucking his way through runs with persistence and nerve. His live duet with saxophonist Blaise Siwula sums these qualities up neatly, in configurations that unfold and build up melodically through a set that, by the end, is enveloped in a ...
Ralph Lalama: Steppin' Out, Steppin' Forward
by R.J. DeLuke
Ralph Lalama's rich tenor saxophone voice has been heard for years on the New York City scene, perhaps most notably with the Vanguard Jazz Orchestra and its predecessors, first led by Thad Jones and Mel Lewis, and later by just Lewis. He's a guy who grew up when rock music was fully bursting on the American ...
Bill McBirnie: Mercy
by Raul d'Gama Rose
By its very nature and high and lonesome sound, the flute is a solitary instrument. Although played from ancient times, the modern flute as a solo voice has been rather seldom heard compared to other woodwind--especially reed--instruments. But non-existent it is certainly not. First Frank Wess' then Herbie Mann's and Hubert Laws' work certainly comes to ...
Will Campbell: Think Tank
by Raul d'Gama Rose
Every once in awhile there emerges a record that is brimful with sinewy, simply honest music that reverberates from one song to another and leaves echoes of melodies or twists and turns in the musicians' solos long after the last notes of the record have died down. This is how alto saxophonist Will Campbell's debut as ...
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