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ARTICLE: HIGHLY OPINIONATED

Blue Note's Tone Poet Series

Read "Blue Note's Tone Poet Series" reviewed by Patrick Burnette

With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...

ARTICLE: ALBUM REVIEWS

Akiko Tsuruga: So Cute, So Bad

Read "So Cute, So Bad" reviewed by Dan Bilawsky

On more than one occasion I've sat back while listening to jazz organ giants of yore and thought to myself, “they don't make 'em like this anymore." And while it's true that one-of-a-kind greats like Jimmy Smith, Shirley Scott, Big John Patton, Brother Jack McDuff, Charles Earland, and Jimmy McGriff are gone for good, and nobody ...

ARTICLE: MY FAVOURITE THINGS

Alexander Hawkins

Read "Alexander Hawkins" reviewed by Paolo Peviani

Il tratto principale della mia musica
È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso.

La qualità che desidero nei musicisti che suonano con me
Gioia, apertura, generosità, e che non abbiano paure nel fare musica.

ARTICLE: ALBUM REVIEWS

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Mark Corroto

The second release for trombonist David Gibson's quartet, End Of The Tunnel, is a return to the ever popular soul-jazz genre. As with his previous disc, A Little Somethin' (Posi-Tone, 2009), Gibson and organist Jared Gold share a love for that infectious 1960s organ combo sound.

This disc also continues with the same lineup, ...

ARTICLE: EXTENDED ANALYSIS

Decoy and Joe McPhee: Oto

Read "Decoy and Joe McPhee: Oto" reviewed by Clifford Allen

Decoy and Joe McPhee

Oto

Bo'Weavil

2010

The existence of a free-improvising organ trio, though uncommon even in 2010, shouldn't be all that surprising and, indeed, you might be prompted to ask what took so long. Certainly, figures like Larry Young and John Patton stretched the boundaries of organ-jazz in the ...

ARTICLE: ALBUM REVIEWS

Grant Green: Street Of Dreams

Read "Street Of Dreams" reviewed by Chris May

Grant Green (1931-79) is probably the most sampled guitarist of his generation, and is rightly regarded as a godfather of acid jazz. His debut, Grant's First Stand (Blue Note, 1961)--heavy on the good foot groove--was made with soul jazz organist Baby Face Willette, and by 1965, when Green recorded an album for Verve, the label was ...

ARTICLE: ALBUM REVIEWS

Baby Face Willette: Face to Face

Read "Face to Face" reviewed by John Sharpe

As is the case with most organists, Willette was heavily influenced by keyboard titan Jimmy Smith. Unfortunately, in contrast to Smith's prolific output, Baby Face recorded just 4 albums under his own name and then disappeared from the jazz scene. “Face to Face", recorded in 1961, was one of two sessions he did for Blue Note ...

ARTICLE: ALBUM REVIEWS

Baby-Face Willette: Behind The 8 Ball

Read "Behind The 8 Ball" reviewed by Douglas Payne

Organist Babyface Willette (born 1933) had a very brief career during the early sixties. His only real gig was grinding the B-3 in the Lou Donaldson band that featured guitarist Grant Green. He was also heard on Green's Blue Note debut and two pretty good juke-joint Blue Note dates of his own (also featuring Green). In ...