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ARTICLE: RADIO

Ornette@50, Bird vs. Hays & more

Read "Ornette@50, Bird vs. Hays & more" reviewed by Marc Cohn

We have a lot of ground to cover this week. After our starting half-hour of 21st century music, we have a compare/contrast of Charlie Parker versus a Kevin Hays deconstruction of “Scrapple from the Apple."

The day of broadcast on WHYR was Art Tatum's birthday; so we have a rare recording of an airshot ...

ARTICLE: CD/LP/TRACK REVIEW

Christian Sands: Facing Dragons

Read "Facing Dragons" reviewed by Chris Mosey

Christian Sands is already being hailed as the greatest jazz pianist of his generation. The question now is will he follow in the footsteps of piano virtuosos like Art Tatum, Oscar Peterson and Errol Garner and concentrate on keyboard fireworks? Or will he choose other outlets for his immense talent, DownBeat magazine seemingly paving the way ...

ARTICLE: INTERVIEWS

Huw Warren: Global Music from a Local Perspective

Read "Huw Warren: Global Music from a Local Perspective" reviewed by Jakob Baekgaard

Welsh pianist and composer, Huw Warren, has been an important voice on the British jazz scene for many years. With a seemingly endless appetite for music, Warren has both been delving into Brazilian music with singer Maria Pia de Vito and played ethereal folk-inspired jazz music with another singer, June Tabor, in the trio Quercus. He ...

Erroll Garner: Night Concert

Read "Night Concert" reviewed by Chris Mosey

It's the jazz equivalent of finding a Van Gogh or a Ming vase in the attic: the discovery of a complete, perfectly-recorded 1964 concert by one of the music's greatest virtuoso solo pianists. In the beginning was Art Tatum. Then came Oscar Peterson. Finally--and in many ways the most interesting of the holy trinity--Erroll Garner.

Erroll Garner: Night Concert

Read "Night Concert" reviewed by Chris Mosey

It's the jazz equivalent of finding a Van Gogh or a Ming vase in the attic: the discovery of a complete 1964 perfectly recorded concert by one of the music's greatest virtuoso solo pianists. In the beginning was Art Tatum. Then came Oscar Peterson. Finally--and in many ways the most interesting of the holy trinity--was Erroll ...

Dot Time Legends Series: Is Every Night New Year's Eve Around Here?

Read "Dot Time Legends Series: Is Every Night New Year's Eve Around Here?" reviewed by Richard J Salvucci

Soon after The Embers opened in New York City in late 1951, Joe Bushkin and His Quartet spent 16 memorable weeks there. With Milt Hinton and Jo Jones, Bushkin was joined by Buck Clayton on trumpet. Astoundingly, Art Tatum had a solo piano gig there at the same time. Bushkin and Tatum listened to each other ...

Judy Carmichael: All Taken in Stride

Read "Judy Carmichael: All Taken in Stride" reviewed by C. Michael Bailey

Swinger! A Jazz Girl's Adventures from Hollywood to Harlem
Judy Carmichael
276 Pages
ISBN: # 978-1979764414
CreateSpace Independent Publishing Platform
2017

Pianist and vocalist Judy Carmichael is a jazz girl who has been performing professionally for nearly 40 years. In her memoir Swinger! A Jazz Girl's Adventures from Hollywood ...

Oscar Peterson: Oscar Peterson Plays

Read "Oscar Peterson Plays" reviewed by Dan McClenaghan

Canadian pianist Oscar Peterson (1925-2007) was just starting what turned out to be terrific career in 1951 when jazz impresario extraordinaire Norman Granz took him into the studio to record Plays Cole Porter (Clef Records, 1952). Granz had a grand plan: To have this then-promising jazz pianist record a number of albums under the Oscar Peterson ...

Oddgeir Berg: Before Dawn

Read "Before Dawn" reviewed by Dan McClenaghan

The evolution of the piano trio has taken us from Art Tatum to Erroll Garner to Oscar Peterson to Bud Powell to Bill Evans--with Thelonious Monk in there veering off from Ellington and the stride tradition on his own separate branch. The newest piano trio offshoot is that of groups who add electronic embellishments to their ...

ARTICLE: CD/LP/TRACK REVIEW

Satoko Fujii: Solo

Read "Solo" reviewed by Mark Corroto

Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience.

How then do we categorize the music of Satoko Fujii? ...