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Content by tag "Ahmad Jamal"

ARTICLE: INTERVIEW

Generation Next: Four Voices From Seattle

Read "Generation Next: Four Voices From Seattle" reviewed by Paul Rauch

Each generation, an insidious notion arises, and is passed about the musical world that jazz music, the only uniquely American art form is somehow experiencing a slow, but certain death. Inevitably, this notion is set aside, and somehow projected forward in time, as a new generation of artists rise to the occasion, not only facilitating the ...

ARTICLE: BEST OF / YEAR END

12 Most Read Album Reviews: 2017

Read "12 Most Read Album Reviews: 2017" reviewed by Michael Ricci

All About Jazz tracks how often an album review is read, and the reviews listed below represent the top 12 published in 2017.

There Is No Love
David Sylvian
by Phil Barnes
Published: July 18, 2017

Bright Lights & Promises: Redefining Janis Ian
Sarah Partridge

ARTICLE: MULTIPLE REVIEWS

Old, Borrowed and Just a Little Blue

Read "Old, Borrowed and Just a Little Blue" reviewed by Geno Thackara

How many collections of standards does the jazz world really need? The answer, of course, is that there's always room for more as long as the players and listeners can find something relevant and fresh. Every piece on offer in this batch has been around for several decades at least, but these old things never fail ...

ARTICLE: CD/LP/TRACK REVIEW

Ahmad Jamal: Marseille

Read "Marseille" reviewed by Ian Patterson

Four years between studio albums is a long gap by Ahmad Jamal's standards. Not that the 87-year-old pianist has been idle since the widely acclaimed Saturday Morning (Jazz Village, 2013). He's released two live albums in that time--Live at The Olympia (Jazz Village, 2014) featuring Yusef Lateef and Live in Marciac 2014 (Jazz Village, 2015)--and remains ...

ARTICLE: CD/LP/TRACK REVIEW

Enzo Pietropaoli: The Princess

Read "The Princess" reviewed by Mark Corroto

It can be risky for jazz musicians to play pop songs. They have to navigate the memories that each composition holds for the listener while also making the music distinctive and personal. Miles Davis could do it with Michael Jackson's “Human Nature" and Cyndi Lauper's “Time After Time," and of course Sonny Rollins can make any ...

ARTICLE: CD/LP/TRACK REVIEW

Idrees Sulieman Quartet feat. Oscar Dennard: The 4 American Jazz Men in Tangier

Read "The 4 American Jazz Men in Tangier" reviewed by Stefano Merighi

La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard.
Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

ARTICLE: CD/LP/TRACK REVIEW

Simon Eskildsen Trio: Introducing the Simon Eskildsen Trio

Read "Introducing the Simon Eskildsen Trio" reviewed by Jakob Baekgaard

The art of the piano trio is very difficult to master and yet very simple. It is all about chemistry. Three players trying to find a language together, traversing a path that has been explored so many times before.

Keeping the heavy heritage of the piano trio in mind, including leaders like Bill ...

NEWS: RECORDING

Ahmad Jamal and Fender Rhodes

Ahmad Jamal and Fender Rhodes

We tend to think of Ahamd Jamal as a pioneer of the elegant jazz trio, a style he perfected in the 1950s by making ample use of space, swing and the upper register of the piano keyboard. Or we think of Ahmad's more recent abstract recordings that are bold and percussive. In between, there was a ...

NEWS: RECORDING

Ahmad Jamal: Greasepaint Roar

Ahmad Jamal: Greasepaint Roar

When Leslie Bricusse and Anthony Newley's musical The Roar of the Greasepaint — the Smell of the Crowd hit Broadway in 1965, it was a followup to their collaboration on Stop the World — I Want to Get Off (1962). The earlier musical gave us two massive pop standards: Once in a Lifetime and What Kind ...