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ARTICLE: CD/LP/TRACK REVIEW

Thelonious Monk: Mønk

Read "Mønk" reviewed by Ian Patterson

There is certainly no shortage of Thelonious Monk live albums--there are several dozen, in fact--but not too many such recordings have been rescued from a skip, as seems to be the case with this long-lost tape of Monk from a 1963 concert at Odd Fellow Palaeet, Copenhagen. Lovingly restored by Gearbox Records, the recording finds Monk ...

ARTICLE: CD/LP/TRACK REVIEW

Harvey Sorgen: Dreamstruck

Read "Dreamstruck" reviewed by Mike Jurkovic

Throughout Dreamstruck's reverberant, captivating terrain, drummer Harvey Sorgen, bassist Joe Fonda and pianist Marilyn Crispell embark on a willful, tenacious interplay that serves as a template for the deep, wide ranging political and personal discourse we all need to seriously engage ourselves in.

Crispell's whispery, born-of-the-moment, intro to “My Song" welcomes us instantly into ...

ARTICLE: LIVE REVIEWS

Joe Alterman Trio with John Sandfort at The Jazz Corner

Read "Joe Alterman Trio with John Sandfort at The Jazz Corner" reviewed by Martin McFie

The Joe Alterman Trio with John Sandfort
The Jazz Corner
Hilton Head Island
October 12-13, 2018

The Joe Alterman Trio played back-to-back nights at The Jazz Corner on Hilton Head Island, with special guest John Sandfort joining on tenor saxophone. The quartet played two openers together before Sandfort ...

ARTICLE: RADIO

A Conversation with Harold O'Neal

Read "A Conversation with Harold O'Neal" reviewed by Lorens Chuno

Harold O'neal's latest release, the solo piano album titled Piano Cinema, is a distinctively curated collection of songs that highlight Harold's excellent piano abilities while taking you on a subtle filmic journey.

Join Harold and me as we talk about Beyonce, Ahmad Jamal, the sounds of film, and other unrelated but connected subjects. ...

Meet Nora Sheehan Schaaf

Read "Meet Nora Sheehan Schaaf" reviewed by Tessa Souter and Andrea Wolper

Before we jump into November's column, we'd like to know: Are YOU a jazz super fan? If you are and you'd like to be featured in an upcoming column, click here and send us a message!

Nora Sheehan Schaaf, along with her husband, Homer, has been going out to hear live jazz ...

ARTICLE: LIVE REVIEWS

Binker & Moses At London's Jazz Cafe

Read "Binker & Moses At London's Jazz Cafe" reviewed by Chris May

Binker & Moses
Jazz Cafe
London
September 12, 2018

Binker & Moses began life around five years ago, when saxophonist Binker Golding and drummer Moses Boyd started playing ferocious, free-association duets during pre-performance sound checks as members of Zara McFarlane's band. Both musicians still tour and record with ...

ARTICLE: CD/LP/TRACK REVIEW

Shane Dylan: When It All Makes Sense

Read "When It All Makes Sense" reviewed by Jerome Wilson

Shane Dylan is a young pianist studying at Boston's New England Conservatory who has put out a debut CD that tries to show the breadth of his musical interests. It is split into two halves, the first with more groove-oriented material, the second going in a more mainstream jazz direction.

The first half covers ...

ARTICLE: PROFILES

SFJAZZ: Decades After, Five Years In

Read "SFJAZZ: Decades After, Five Years In" reviewed by Arthur R George

Five years after the jny: San Francisco, California organization SFJAZZ created its own building, the SFJAZZ Center, it has proved a raving, even rampaging, success, unrelenting in programming, sales, education, and music production. Its number of concerts has doubled from 248 to more than 500. Its membership has increased by almost 200% to more than 14,000. ...

Erroll Garner: Night Concert

Read "Night Concert" reviewed by Chris Mosey

It's the jazz equivalent of finding a Van Gogh or a Ming vase in the attic: the discovery of a complete, perfectly-recorded 1964 concert by one of the music's greatest virtuoso solo pianists. In the beginning was Art Tatum. Then came Oscar Peterson. Finally--and in many ways the most interesting of the holy trinity--Erroll Garner.

Erroll Garner: Night Concert

Read "Night Concert" reviewed by Chris Mosey

It's the jazz equivalent of finding a Van Gogh or a Ming vase in the attic: the discovery of a complete 1964 perfectly recorded concert by one of the music's greatest virtuoso solo pianists. In the beginning was Art Tatum. Then came Oscar Peterson. Finally--and in many ways the most interesting of the holy trinity--was Erroll ...