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MUSICIAN Born:

Julian Graciano

Julián Graciano, learn music from the family roots, great-harpist, guitarist grandfather and his father tango bandoneon player, nucleus where takes his upbringing in a musical environment. In parallel to his schooling, his first formal knowledge incorporates hand of Professor Carlos Esteban, who guides him on solfege and music theory. Gets the scholarship BEST (Berklee Entering Student Talented) at age 19 and MEFA scholarship (Massachusetts Educational Financial Authority). Through these achievements pursuing higher studies at the famed Berklee College of Music, Boston USA where it has the ability to perform harmony and improvisation masterclass with Gary Burton, Chucho Valdez and Bob Mintzer; jazz guitar with John Scofield, Mike Stern, Pat Martino and latin jazz with Carlos Moreno (Irakere); polyrhythms and rhythmic concepts with Horacio "El black" Hernandez and Steve Smith; composition with Jim Reyes and Alf Clausen, among others. He has taught the guitar chair, musical analysis and repertoire at the Conservatory Argentino Galván and teacher of Liceo Superior del Tango in the chair "scholar tango" and "guitar in the tango" Both institutions of the National Academy of Tango. He has given seminars for the College Music Society on history and evolution of tango and the music of Eduardo Rovira. Masterclass on improvisation applied to Argentinean popular music in AADI (Argentinean Association of Musicians). For almost 20 years he teaches at particular guitar majoring in jazz and tango, traditional and contemporary harmony, counterpoint, composition techniques, arrangements and orchestration, ear training and improvisation. He has received the following awards Along with his guitar duo Graciano-Sapir, best instumental set Tango Cultural Center first prizeHonorable Mention Awards in October Notable bars Prize 2005. With singer Fabian Russo Award 2006 Notable bars with his trio contemporary tango Tango en Tres received the 2007 award Notable barsHonorary Award 2010 Cultural Fair Tango en Tres was chosen by Maestro Chucho Valdes to perform at the prestigious International Jazz Plaza Festival 2008 were declared of cultural interest by the Directorate of Cultural Affairs of Argentina. He has written several educational books Analysis Booklet Tango for the Conservatory Galván The Real Book of Tango (book titled Real jazz) divided into five volumes with about 600 pieces in total and used by many contemporary tango musicians from various parts of the world. Complete Guitar Method Tango Edited by Melos / Ricordi Argentina in 2016, exhausted the 1st edition a week of its publication. Articles about jazz improvisation to magazine VIVA LA MUSIC AMR Switzerland and several articles about Free download tango and jazz website Scribd. Transcription of all kinds of works, commissioned and personal pleasure, from solo instruments to tango orchestras. As arranger of tango, has been requested by several groups and soloists from different countries, such as Turkey, USA, England, Germany, Spain and Sweden. As a sideman he has been summoned to join the jazz band Harry Waters (son of legendary rock musician Roger Waters) playing several concerts in Buenos Aires on 2011. Along with his trio Tango en Tres grouping which combines his two great loves, tango and jazz, and where it says in exercising his passion for live performance, improvisation and composition, has participated in the International Jazz Plaza Festival, Havana Cuba, Festival de Jazz de La Paz and Santa Cruz de la Sierra, Uruguay Jazz Festival (Jazz on the street 2008), has been invited by Maestro Juan Falu in 2009 to Guitar World event. In the field of research, was asked by Mrs

MUSICIAN Born:

Jorge Retamoza

Jorge Retamoza is one of the saxophonists from Argentine who has more deeply developed the inclusion of his instrument in tango language. This work can be heard on record albums with his group and more than a dozen collaborations with other artists. The Argentine press has referred to his music: "tango and jazz elements, creating an unprecedented mixture sound and, at times, overwhelming." For almost twenty years Retamoza has built with his original compositions a musical body based on the tango, the jazz gestures and academic procedures that put his writing and playing in an originality area, finding new ways to understand the tradition and future of Buenos Aires music


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