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Album Review

Nerija: Blume

Read "Blume" reviewed by Chris May


Nérija is a collective comprising seven of the brightest stars on London's alternative jazz scene—alto saxophonist Cassie Kinoshi and tenor saxophonist Nubya Garcia, trumpeter Sheila Maurice-Grey, trombonist Rosie Turton, guitarist Shirley Tetteh, bassist Rio Kai and drummer Lizy Exell. All are bandleaders in their own right. You would expect such a line-up to deliver the goods and it does. Among Blume's charms is a great vibe. A defining feature of the new London scene is its collegiate nature. ...

315
Album Review

Steve Reid Ensemble: Daxaar

Read "Daxaar" reviewed by Ian Patterson


Forty years have passed since drummer Steve Reid journeyed for three years in Africa, learning the roots of rhythm with master percussionist Guy Warren and in the band of Fela Kuti. For Steve Reid, returning to the continent of rhythm to record Daxaar in Senegal is no mere nostalgia trip: “The first time I went to learn and this time I was just going to give and enjoy, and find out what new thing we could discover together. The result ...

380
Album Review

Steve Reid Ensemble: Daxaar

Read "Daxaar" reviewed by Chris May


At age 62, most people are slowing down a little, taking fewer risks and carefully pre-planning their activities. Not so Steve Reid. The Bronx-born drummer, whose recording debut, aged 19, was on Martha & The Vandellas' iconic “Dancing In The Street," and who went on to work with many of the “new thing" movers and shakers of the late 1960s and early 1970s, still lives by the freewheeling, devil-may-care zeitgeist which prevailed during his formative years. He trusts his instincts ...

188
Album Review

Robert Wyatt: Comicopera

Read "Comicopera" reviewed by John Kelman


More ambitious than anything he's done before while, at the same time, more interactive, intimate and live sounding, Comicopera represents another milestone for singer/songwriter Robert Wyatt. It's not just that he's using a larger group of musicians for the record, making for the broadest musical canvas yet; but this three act opera (of sorts) consolidates many of the personal, social and political issues that have occupied his work since Rock Bottom (Virgin, 1974).

Wyatt began his ...


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