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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

Herbie Mann: An Amalgamation of Everything

Read "Herbie Mann:  An Amalgamation of Everything" reviewed by Bob Kenselaar

[Flauist Herbie Mann was often ahead of the trend with his wide explorations into sounds from everywhere. When I asked him in this 1978 interview where music in general was heading, he talked about a broad mix--"an amalgamation of everything"--which might be a good way to describe Mann's overall career, except that it doesn't account for his own personal, exuberant voice.] Over the last 25 years, Herbie Mann has taken his flute all over the map--literally and figuratively. It's not ...

ALBUM REVIEW

Herbie Mann & Phil Woods: Beyond Brooklyn

Read "Beyond Brooklyn" reviewed by George Kanzler

Herbie Mann and Phil Woods met when they were two barely adult beboppers jamming together at a joint called Tony's Bar on Flatbush Ave. in Brooklyn in 1951. A couple years later, Woods would play on Mann's Yardbird Suite LP. They finally shared the front line on an album again with this CD, the last Mann made before he died on July 2, 2003.

Beyond Brooklyn is a fine envoi to Mann's career, featuring the flutist in many ...

INTERVIEW

Classic Herbie Mann

Read "Classic Herbie Mann" reviewed by WBGO 88.3FM

For the past 40 years, flutist Herbie Mann has taken the instrument in several different directions, performing in a wide variety of musical styles including straight-ahead and soul and pop-jazz, as well as world music, and most recently Eastern European music. A cancer survivor, Mann's latest project is a crusade for prostate cancer awareness. Brian Delp: Ten years ago you moved out West, to Sante Fe. Herbie Mann: My wife and I just reached that point ...

ALBUM REVIEW

Herbie Mann/Bobby Jaspar: Flute Flight

Read "Flute Flight" reviewed by David Rickert

Flautists are the 98 pound weaklings in the jazz musician crowd, constantly working hard to prove that their chosen instrument has serious jazz credentials. Herbie Mann and Bobby Jaspar were two of the few who made the flute their primary instrument, and both had their moments, Mann as a leader and Jaspar with JJ Johnson. However, Flute Flight, a pairing of the two originally recorded in 1957, never gets off the ground. Before this recording Mann had been successful at ...

ALBUM REVIEW

Herbie Mann/ Bobby Jaspar: Flute Flight

Read "Flute Flight" reviewed by Derek Taylor

Concept albums were all the rage back in the late Fifties, and jazz music was no exception among genres. Popular within this certain niche was the notion of featuring instruments uncommonly featured in lead roles. The result was a flood of records fielded by everything from French horns to accordions to harps. One album cut for the Savoy label featured four of the former instruments in a winsome frontline combination. The modest flute might not seem like such an oddity ...

ALBUM REVIEW

The Herbie Mann-Sam Most Quintet: The Herbie Mann-Sam Most Quintet

Read "The Herbie Mann-Sam Most Quintet" reviewed by Robert Spencer

There's no use denying it, so I'll confess: I am not a big jazz flute fan. The instrument has always seemed to me to be too slight to power a rhythm section and too breathy to maintain an individual attractiveness. But Herbie Mann and Sam Most have converted me on this unlikeliest of ensembles, a double flute quintet.

The Herbie Mann-Sam Most Quintet is a 1956 album of eleven genial, high-spirited tracks featuring Mann and Most trading bright, up-tempo, virtually ...


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