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Morten Haxholm: Vestigium

Read "Vestigium" reviewed by Friedrich Kunzmann

The world of bass players in modern and post-bop jazz can be divided into two currents. On the one hand, you'll find the dominant character who leads the compositions with a decisive hand and frequent moments of striking ostinatos. On the other, one finds a personality who seems to walk through the composition and, like camouflage, conceal moments of pure bliss within the harmonic context and overall texture. While the former at times seems to have the song serving his ...

ALBUM REVIEWS

Morten Haxholm: Vestigium

Read "Vestigium" reviewed by Chris Mosey

Other nationalities find the double bass a cumbersome instrument. But, perhaps because they are, in the main, tall, healthy and strong and thus can handle it with relative ease, Danes love it. Since its introduction by the great native American bassist Oscar Pettiford in the late 1950s, it has come to play a major role on the local scene. The thing is Danes take their jazz seriously. There is now a Rhythmical Music Conservatory, or university of ...

MULTIPLE REVIEWS

A New Danish Bassist on Top: Introducing Morten Haxholm

Read "A New Danish Bassist on Top: Introducing Morten Haxholm" reviewed by Jakob Baekgaard

There is little doubt that Denmark has a proud tradition of fostering exceptional bassists -just think of names like Niels-Henning Ørsted Pedersen, Jesper Lundgaard, Bo Stief, Jesper Bodilsen and, more recently, Anders Christensen, Jonas Westergaard and Richard Andersson. Add Morten Haxholm to this ever growing list. Haxholm has been ambitious from the start. On his debut, Equilibrium (Storyville, 2013), he enlisted no less than the powerhouse drummer Ari Hoenig and the renowned guitarist Jonathan Kreisberg. Both of ...


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