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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEWS

Holly Hofmann: Low Life: The Alto Flute Project

Read "Low Life: The Alto Flute Project" reviewed by Dan McClenaghan

Holly Hofmann, one of the jazz world's premier flutists, explores a deeper-toned territory with Low Life: The Alto Flute Project. Primarily a conventional C flautist--with an impressive discography--Hofmann has broken out the lower tone of the alto flute in her concerts, and occasionally on record. Now it's time for a full length CD featuring her expertise on the instrument. The range of the alto flute is limited, requiring an artist to say more with less. Hofmann and her ...

MULTIPLE REVIEWS

Furthering The Flute In Jazz: Holly Hofmann and Bill McBirnie

Read "Furthering The Flute In Jazz: Holly Hofmann and Bill McBirnie" reviewed by Dan Bilawsky

Long gone are the days when the flute was only seen as a jazz novelty or a saxophonist's double. Once upon a time you could count the number of notable jazz flautists on a hand (or two), but the ranks have swelled a little bit over the years, and those leading the charge today aren't content with working the same exact angles as their predecessors. An ambitious crop of flute players are out there shaking things up ...

ALBUM REVIEWS

Holly Hofman / Mike Wofford: Live at Athenaeum Jazz, Volume 2

Read "Live at Athenaeum Jazz, Volume 2" reviewed by Jerry D'Souza

Holly Hofmann (flute) and Mike Wofford (piano) make beautiful music together. The husband and wife have teamed for several acclaimed recordings including Flutology, Minor Miracle, and Further Adventures, all on Capri Records. They continue with another superb set of duets on Live at Athenaeum Jazz, Volume 2.

Both Hofmann and Wofford have a concentrated sense for the lyrical, adding an air of romanticism and injecting a sense of humor into their playing, all of which hinges on an emotional pith. ...

ALBUM REVIEWS

Holly Hofmann / Mike Wofford: Live at Athenaeum Jazz, Volume 2

Read "Live at Athenaeum Jazz, Volume 2" reviewed by Michael P. Gladstone

Flutist Holly Hofmann's Live at Athenaeum Jazz, Volume 2 was recorded during the summer of 2006 at San Diego' s Athenaeum Jazz Music and Arts Library, in duet with musical partner/husband, Mike Wofford. Prior to the quartet recording Minor Miracle (Capri, 2005) Wofford's piano trio released the well-received Live at Athenaeum Jazz (Capri, 2004).

Though earlier efforts may be hard to come by, Hofmann's recent signing with Colorado-based Capri means she is now on a larger indie label. ...

ALBUM REVIEWS

Holly Hofmann / Mike Wofford: Live at Athenaeum Jazz, Volume 2

Read "Live at Athenaeum Jazz, Volume 2" reviewed by Dan McClenaghan

San Diego isn't known as a jazz town in the same way New York or Chicago are, but this city in the southwest corner of the country has its fair share of fine venues for the music, and boasts some first rate artists as well.One of the best places to hear San Diego jazz is the Athenaeum Music and Arts Library's Music Room, an intimate setting with no audience member more than twenty feet from the performers. On ...

ALBUM REVIEWS

Holly Hofmann: Minor Miracle

Read "Minor Miracle" reviewed by Jack Bowers

The flute is a hard sell for a small core of jazz purists who'd rather it were confined to the precincts of the local symphony orchestra. At best a change of pace, at worst a nuisance. Those who feel that way had best stop reading at this point while I sing the praises of Holly Hofmann, a flutist (or is it flautist?) with a pleasing sound, exemplary technique and irrepressible swing in her soul.

Hofmann's latest album (and tenth overall) ...

ALBUM REVIEWS

Holly Hofmann: Minor Miracle

Read "Minor Miracle" reviewed by Jim Santella

Oozing with genuine charm, flutist Holly Hofmann interprets mainstream jazz the way it's supposed to be. Her view of the world has been seasoned by mentors and musical partners such as Ray Brown, Mike Wofford, Bill Cunliffe, and John Clayton.

Hofmann's father, a jazz guitarist, influenced her career choices, and her parents ensured her a thorough grounding in the fine arts. She received her first flute at age five. While studying with Maurice Sharp, the principal flutist of ...


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