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Bud Shank: Four Classic Albums

Read "Bud Shank: Four Classic Albums" reviewed by David Rickert

Bud ShankFour Classic AlbumsAvid Records UK2012Bud Shank is typical of the jazz musicians that roamed the West Coast in the fifties in that he was able to work comfortably in a variety of settings: big bands, the studio, and clubs. Like many of the other players, Shank also played more than one instrument, which made him a valuable member of the bandstand and afforded his solo recordings a bit more variety than ...


Jake Fryer / Bud Shank Quartet: In Good Company

Read "In Good Company" reviewed by Jerry D'Souza

Jake Fryer second recording, In Good Company, finds the British alto saxophonist recording in San Diego with fellow altoist Bud Shank and his rhythm section. Fryer's previous release, On Our Terms (Nuts About Jazz, 2008), was the live debut of the London Bebop Collective; Fryer also leads the Jake Fryer Quartet and is part of the Little Big Band. With two saxophonists in front, it is not surprising that this turns out to be a blowing session in ...


Bud Shank: Fascinating Rhythms

Read "Fascinating Rhythms" reviewed by Jack Bowers

In the Wild West, when a cowboy passed away while doing his job, whether herding cattle, branding a steer or engaging in a gunfight, the popular saying was that he “died with his boots on." The adage applies as well to renowned alto saxophonist Bud Shank, who recorded what was to be his final album, Fascinating Rhythms, at the Jazz Bakery in Culver City, CA on January 29-31, 2009--less than three months before his passing at age eighty-two after a ...


Bud Shank: A Voice for the Ages

Read "Bud Shank: A Voice for the Ages" reviewed by Jack Bowers

I'll always have fond memories of the 2007 Prescott (Arizona) Jazz Summit, as it was the last time I had the great pleasure of seeing and hearing the phenomenal alto saxophonist Bud Shank doing what he did best: enfolding an entire audience in the palm of his hand with a seemingly endless stream of irrepressible notes and phrases that arose from his heart and soul and cascaded gracefully through the bell of his horn.

As Shank was at the time ...


Reflections on Bud

Read "Reflections on Bud" reviewed by Graham Carter

During the past few years I have had the honor to work with many famous jazz musicians, but without a doubt the nicest one of that group was Bud Shank. In thinking about Bud, and his contributions to the jazz world the past 60 years or so, one must rank his demeanor right next to his extensive music abilities.Bud would listen to you intently. It did not matter whether you were a fan rushing up to him on ...


Bud Shank: Never at a Standstill

Read "Bud Shank: Never at a Standstill" reviewed by Ken Dryden

Bud Shank has long been labeled as a cool or “West Coast Jazz" stylist, though the veteran alto saxophonist, now in his seventh decade as a performer, has long evolved past such labels. An alum of Charlie Barnet, Stan Kenton and Howard Rumsey's Lighthouse All Stars, Shank first began leading his own quartet during the '50s and recorded extensively for Pacific Jazz/World Pacific while also doing studio work. In the '70s, Shank formed the LA Four with Laurindo Almeida, Ray ...


Bud Shank: Still Going Strong at Eighty-Two

Read "Bud Shank: Still Going Strong at Eighty-Two" reviewed by Jack Bowers

At a time when most of his contemporaries are content to relax on a couch or easy chair and watch their favorite TV programs and sporting events, alto sax superstar Bud Shank is on a roll. Hard on the heels of Graham Carter's splendid documentary of Shank's career, Against the Tide: Portrait of a Jazz Legend, and its companion CD, the eighty-two-year-old Shank, who continues to blow up a storm, has been honored by the Tucson, AZ, Jazz ...


Bud Shank: The Original - The Pacific Jazz Years

Read "Bud Shank: The Original - The Pacific Jazz Years" reviewed by Nic Jones

> Bud Shank The Original - The Pacific Jazz YearsGiant Steps2008 Any debate that might once have raged over the hoary question of East Coast/West Coast dichotomy has hopefully died out by now. If the hope that the music prevails holds water, this is a vessel it's held in.

As an alto saxophonist in the mid-1950s, Bud Shank showed about as much of a Charlie Parker influence as Art Pepper ...


Bud Shank: Against the Tide - Portrait of a Jazz Legend

Read "Bud Shank: Against the Tide - Portrait of a Jazz Legend" reviewed by Jack Bowers

Bud Shank Against the Tide: Portrait of a Jazz Legend Jazzed Media 2008

Not long ago, several record labels began issuing DVDs to complement their new CD releases, a move that was welcomed by listeners and reviewers alike, as it enabled them not only to hear a particular musician and group but to see them adapt and intertwine to reach their musical goals together. Saxophonist/flautist Bud Shank's new CD, Against the Tide: ...


Bud Shank: Change is Good

Read "Bud Shank: Change is Good" reviewed by Maxwell Chandler

With half a century of music making under his belt, Bud Shank is a survivor and a legend. To merely label him as a player of the West Coast/Cool school is to deny the full measure of a multi-faceted artist.

Still touring and recording, Shank took time to speak with AAJ's Maxwell Chandler about his artistic legacy.

All About Jazz: Your family was not musical, what were the circumstances of your initially being bitten ...


Bud Shank / Bill Mays: Beyond the Red Door

Read "Beyond the Red Door" reviewed by Jack Bowers

At its best, jazz is about spontaneity and surprise. It is also, as Bud Shank writes in his cogent liner notes to Beyond the Red Door, wherein his persuasive alto saxophone is seamlessly blended with Bill Mays's decorous piano, about “the expression of emotions... about feeling good, about self-respect, about self-assurance, about happiness and humor."

Shank and Mays bring all those qualities, plus a lifetime of experience, to bear in an engaging and varied program of old favorites and newer ...


Bud Shank and Bob Cooper: European Tour '58

Read "European Tour '58" reviewed by David Rickert

Who wouldn't enjoy a nice trip overseas in Europe? Certainly many jazz musicians enjoyed a sojourn overseas because of the enthusiastic audiences, lack of prejudice, and, of course, the ability to see all the sights. Altoist/flautist Bud Shank and tenorist/oboist Bob Cooper, two West Coast musicians who formed a friendship in the Stan Kenton band that turned into a successful musical partnership, were two who went overseas for several concerts.

These 1958 recordings are part of a series ...

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