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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Eric Alexander: With Strings

Read "With Strings" reviewed by Jack Bowers

To paraphrase Cole Porter: “Bird did it, Chet did it... even many vocalists I bet did it..." And now tenor saxophonist Eric Alexander did it--recorded an album with strings, that is. This represents quite a departure for Alexander who is widely known as one of the more emotive and resourceful improvisers on the scene; but so it was too for Charlie Parker, the foremost architect and unquestioned sovereign of the bop movement who was the first post-Swing Era superstar to ...

LIVE REVIEW

Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe

Read "Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe" reviewed by Victor L. Schermer

Eric Alexander, Steve Davis, John Swana and the Philly All-Stars Chris' Jazz Café Philadelphia, PA February 22, 2020 This first set on the second night of a two night stand with a packed house featured three superb and well-known hard bop masters backed by a local rhythm section called the Philly All-Stars (a young Joe Block on piano, seasoned and adaptable Mike Boone on bass, and much in demand Sonny Fortune alumnus ...

RADIO

Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia

Read "Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia" reviewed by Marc Cohn

Tenor saxophonist Eric Alexander appeared in Baton Rouge Tuesday, November 19th @ the Manship Theatre, downtown Baton Rouge. So we warmed you up for his visit with his trio and quartet work, as well as a sideman with Mike LeDonne on the B-3 and pianist Junior Mance (knee deep in the blues). There's also our last centennial feature for Lennie Tristano with Lee Konitz from 1949, a bit of Ellingtonia (new Bill Frisell and Rodney Whitaker as well as Duke ...

ALBUM REVIEW

Eric Alexander: Leap of Faith

Read "Leap of Faith" reviewed by Friedrich Kunzmann

Acclaimed saxophonist Eric Alexander needs no special introduction. His pioneering work in the jazz world has been an inspiration to many of his peers since the early 90s. On this special chordless endeavour—featuring the chops of Doug Weiss on bass and drummer Jonathan Blake whose own recording in a very similar chordless constellation was likewise recently documented on the Giant Steps Arts label to high critical praise—Alexander makes a giant leap into somewhat uncharted territory for him and is rewarded ...

ALBUM REVIEW

Eric Alexander: Leap of Faith

Read "Leap of Faith" reviewed by Jack Bowers

Renowned tenor saxophonist Eric Alexander's Leap of Faith stems in part from the decision (hesitantly made) to perform in a trio setting without piano—hardly an uncommon arrangement these days but one that Alexander, a shining light on the New York music scene for more than two decades, has rarely explored, either in live gigs or on more than forty-plus albums as leader of his own groups. Also, Leap of Faith was recorded live (no safety net) at New York City's ...

ALBUM REVIEW

Eric Alexander: Song of No Regrets

Read "Song of No Regrets" reviewed by Peter J. Hoetjes

On Song of No Regrets, tenor saxophonist Eric Alexander decides to keep things fresh with a Latin beat and a couple unexpected guests. Having worked so prolifically for so long (he's got more than 160 recordings to his name both solo and as a sideman), it's inevitable that Alexander would have more than a few preferred musicians to round out his rhythm section. Rather than sticking with Harold Mabern, who has been his pianist of choice during eight of his ...

ALBUM REVIEW

Eric Alexander: Song of No Regrets

Read "Song of No Regrets" reviewed by Jack Bowers

Eric Alexander, who has been wielding as impressive a tenor saxophone as anyone on the scene for more than two decades, returns to the studio for what seems the umpteenth time with an abundant stockpile of point-blank pleasures on Song of No Regrets, an essentially Latin-grooved session that leaves room on the first two numbers for the superlative trumpet work of guest artist Jon Faddis. One of Alexander's strengths, and perhaps the one that has caused him ...


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