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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Album Review

Mahogany Frog: Senna

Read "Senna" reviewed by Glenn Astarita


With its sixth album and second release for Moonjune Records, this Canadian outfit once again imparts a steadfast approach to the modern rock idiom. Drawing influences from a boundless array of genres such as psychedelia, '70s progressive rock, space rock and offbeat inferences to pop-rock, the unit at times demonstrates an unrelenting wall of sound. Featuring juiced-up crunch chords and hyper-pulses, the band fuses Sonic Youth-style noise guitar with tricky time signatures and delectably cheesy, '60s-style organ grooves. A few ...

3

Album Review

Mahogany Frog: Senna

Read "Senna" reviewed by Mark Redlefsen


Mahogany Frog's Senna is named after the late Brazilian racing driver Ayrton Senna da Silva, who was also the recent focus of the British 2010 documentary film, Senna. The racing engine on the cover of the CD may be best-reflected in the energy of the music within. On its sixth CD, this four-man group based in Winnipeg, Canada has managed to expand their boundaries even further than their last release DO5 (Moonjune, 2006).Mahogany Frog is not mired by ...

198

Album Review

Mahogany Frog: DO5

Read "DO5" reviewed by Nic Jones


This is music made of big gestures joyfully subverted. A flash of progressive rock--in the narrowest, most virtuosic sense of the term--is figuratively taken outside to be administered a kicking. In addition and just for good measure, or perhaps in the interest of dynamic variation, a lyrical strain emerges when the music does get quieter and more reflective, which goes to show that this is also a band big on variation. In terms of the overall context, ...

261

Album Review

Mahogany Frog: DO5

Read "DO5" reviewed by John Kelman


With contemporary music often looking to dissolve artificial boundaries and cross-pollinate with abandon, it shouldn't comes as a surprise to hear progressive rock groups using the same tack. On one hand, expectations often drive them to stay close to home-- Yes may release new music periodically, but its live shows draw more from the classic 1970-1977 repertoire than any other. Then there's King Crimson who, while looking back to some extent, are more interested in pushing forward and creating live ...


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