Unwaveringly cohesive... bone-deep gorgeousness... complex, compelling and beautiful, sounds of the highest quality and inspiration.
—Dan McClenaghan, All About Jazz
Acclaimed saxophonist/composer Lena Bloch reimagines work of Russian poet Marina Tsvetaeva in a new jazz suite, commissioned by Chamber Music America
Premieres of My Name Is Marina for jazz ensemble and voice on Sunday, October 2 in Manhattan and Sunday, October 16 in Brooklyn, both at 7 PM
On the 130th anniversary of the birth of Russian poet Marina Tsvetaeva, during a time when immigrants, women and artists face increasing struggle in the United States, acclaimed Russian-born saxophonist and composer Lena Bloch premieres My Name Is Marina, a commissioned jazz suite for ensemble and voice featuring her own English translations of Tsvetaeva’s works. “Throughout my life, Tsvetaeva has served as a model of resilience as an immigrant, an artist and a woman,” says Bloch, “all of which have been under siege in modern political discourse, all the more reason to amplify her voice for a modern audience.”
Joining Bloch for the performances will be vocalist Kyoko Kitamura, pianist Jacob Sacks, bassist Ken Filiano, and drummer Michael Sarin. The performances are supported by the Russian—American Cultural Center. The recording and world premiere are supported by Chamber Music America’s Artistic Projects program, funded through the Howard Gilman Foundation.
After facing poverty, exile and great loss, she died in 1941. Her poems are known for their passion and lyricism, linguistic experimentation, influence of folk songs and portrayal of women’s experiences.
Bloch was also born in Moscow, immigrating to Israel and then to Europe, where she played jazz for 12 years before settling in New York in 2008 and quickly becoming a contributor to the city’s fertile jazz scene. Her unique cultural background contributes to her original style, personal expression and broad range of influences, from Eastern European and Middle Eastern traditions to 20th and 21st century classical music.
As one of the first jazz artists to interpret Tsvetaeva’s poetry through music, Bloch uses her own English translations of Tsvetaeva’s work to extemporize and reimagine the artist’s poetic legacy through her own compositional lens. Bloch’s project presenting Tsvetaeva’s poetry to American audiences marks the 130th anniversary of Tsvetaeva’s birth (October 8).
Says Bloch, “Tsvetaeva’s themes are especially relevant to this country of immigrants, now more than ever. Her poetry never bemoaned the status of an alien in a strange land, never dwelled on the loneliness or isolation of a life in exile. Instead, her work celebrated the strength that she drew from her uprooted existence: the power she had to speak freely despite all circumstances, the indomitable will to persevere. Those aspects of her work resonate with me as a lifelong nomad myself, and they will resonate with countless immigrants in this country.”
Performances of My Name Is Marina are supported and promoted by the Russian-American Cultural Center (RACC).
My Name is Marina, a project by Lena Bloch, its recording, and world premiere, are supported by Chamber Music America’s Artistic Projects program, funded through the generosity of the Howard Gilman Foundation.
Premieres of My Name Is Marina for jazz ensemble and voice on Sunday, October 2 in Manhattan and Sunday, October 16 in Brooklyn, both at 7 PM
On the 130th anniversary of the birth of Russian poet Marina Tsvetaeva, during a time when immigrants, women and artists face increasing struggle in the United States, acclaimed Russian-born saxophonist and composer Lena Bloch premieres My Name Is Marina, a commissioned jazz suite for ensemble and voice featuring her own English translations of Tsvetaeva’s works. “Throughout my life, Tsvetaeva has served as a model of resilience as an immigrant, an artist and a woman,” says Bloch, “all of which have been under siege in modern political discourse, all the more reason to amplify her voice for a modern audience.”
Joining Bloch for the performances will be vocalist Kyoko Kitamura, pianist Jacob Sacks, bassist Ken Filiano, and drummer Michael Sarin. The performances are supported by the Russian—American Cultural Center. The recording and world premiere are supported by Chamber Music America’s Artistic Projects program, funded through the Howard Gilman Foundation.
Sunday, October 2, 7 p.m.
JCC Manhattan, 334 Amsterdam Avenue at 76th St., New York, NY. Tickets $10. In person, audio/video available after the performance. For information call 646-505-4444.Sunday, October 16
Scholes Street Studio, 375 Lorimer St., Brooklyn, NY. In person and livestream. For information call 718-964-8763.About Marina Tsvetaeva
Tsvetaeva is hailed as one of the greatest poets of 20th century Russian and world literature. Though her work is revered in her native Russia and Europe, she is less known in the United States, unlike her contemporaries including Alexandr Blok, Anna Akhmatova and Boris Pasternak. Born in Moscow in 1892 to a professor and a concert pianist, Tsvetaeva published her first collection of poems at 18. She lived during turbulent years in Russian history, facing separation from her husband and children and leaving home to live in Berlin, Prague and Paris. She eventually returned to the Soviet Union where her husband was executed and her surviving daughter was sent to a labor camp.After facing poverty, exile and great loss, she died in 1941. Her poems are known for their passion and lyricism, linguistic experimentation, influence of folk songs and portrayal of women’s experiences.
Bloch was also born in Moscow, immigrating to Israel and then to Europe, where she played jazz for 12 years before settling in New York in 2008 and quickly becoming a contributor to the city’s fertile jazz scene. Her unique cultural background contributes to her original style, personal expression and broad range of influences, from Eastern European and Middle Eastern traditions to 20th and 21st century classical music.
As one of the first jazz artists to interpret Tsvetaeva’s poetry through music, Bloch uses her own English translations of Tsvetaeva’s work to extemporize and reimagine the artist’s poetic legacy through her own compositional lens. Bloch’s project presenting Tsvetaeva’s poetry to American audiences marks the 130th anniversary of Tsvetaeva’s birth (October 8).
Says Bloch, “Tsvetaeva’s themes are especially relevant to this country of immigrants, now more than ever. Her poetry never bemoaned the status of an alien in a strange land, never dwelled on the loneliness or isolation of a life in exile. Instead, her work celebrated the strength that she drew from her uprooted existence: the power she had to speak freely despite all circumstances, the indomitable will to persevere. Those aspects of her work resonate with me as a lifelong nomad myself, and they will resonate with countless immigrants in this country.”
About Lena Bloch
Lena Bloch is a Russian-born saxophonist, composer and bandleader, based in New York since 2008. She has been leading her own chamber groups, performing original music since 1990, in Israel, Europe and the United States, including Red Sea Jazz Festival (Israel), Leverkusener Jazz Tage and Ingolstaedter Jazz Tage (Germany), Jazz Lent Maribor (Slovenia), Voronezh Jazz Festival (Russia), Washington Women in Jazz Festival, Vermont Jazz Center Festival, and Temple of the Arts Festival (United States). As a saxophonist she worked with Embryo, Steve Reid, Mala Waldron, Roberta Piket, Sumi Tonooka, Vishnu Wood, Harvey Diamond, Sebastien Ammann and many other American and European bandleaders.Performances of My Name Is Marina are supported and promoted by the Russian-American Cultural Center (RACC).
My Name is Marina, a project by Lena Bloch, its recording, and world premiere, are supported by Chamber Music America’s Artistic Projects program, funded through the generosity of the Howard Gilman Foundation.
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For more information contact Braithwaite & Katz Communications.
