| TW | LW | 2W | Artist | TW |
LW | Move | Add | Rpts | Peak | Wks |
| 1 | 1 | 2 |
Steve Turre The Spirits Up Above (HighNote) | 290 | 327 | -37 | 3 | 54 | 1 |
10 |
| 2 | 2 | 3 | Eric Alexander Dead Center (HighNote — HCD 7131) | 264 |
297 | -33 | 0 | 52 | 1 | 11 |
| 3 | 3 | 1 |
Doctor Lonnie Smith Too Damn Hot (Palmetto — PM 2105) | 261 | 288 | -27 | 2 | 56 |
1 | 10 |
| 4 | 4 | 4 | Houston Person To Etta With Love (HighNote — HCD 7127) |
226 | 268 | -42 | 0 | 43 | 2 | 11 |
| 5 | 5 |
5 | Jim Snidero Close Up (Milestone) | 211 | 209 | +2 | 0 | 42 |
5 | 12 |
| 6 | 7 | 6 | Queen Latifah The Dana Owens Album (Qwest) | 193 |
162 | +31 | 2 | 33 | 5 | 11 |
| 7 | 8 | 14 |
Orbert Davis Blue Notes (3 Sixteen) | 174 | 158 | +16 | 4 | 39 | 7 |
5 |
| 8 | 14 | 8 | Paradigm Shift Shifting Times (Nagel Heyer) | 159 | 143 |
+16 | 0 | 44 | 8 | 10 |
| 8 | 11 | 11 | Ken Peplowski Easy To Remember (Nagel Heyer — 2043) |
159 | 149 | +10 | 1 | 37 | 7 | 11 |
| 10 | 20 |
40 | Shelly Berg Trio Blackbird (Concord Jazz — 2216-2) | 156 | 103 | +53 | 16 |
36 | 10 | 3 |
| 11 | 16 | 13 | Martijn van Iterson Quartet The Whole Bunch (Munich Records — BMCD 446) |
142 | 141 | +1 | 0 | 34 | 11 | 11 |
| 12 | — |
— | David Sanborn Closer (Verve Music Group) | 139 | 18 | +121 | 24 | 30 |
12 | 1 |
| 13 | 9 | 11 | Wallace Roney Prototype (HighNote) | 136 |
157 | -21 | 0 | 42 | 8 | 9 |
| 14 | 18 | 21 |
Clark Terry Porgy & Bess (Americana Music/A440 Music Group — 9002) | 134 | 116 | +18 | 1 |
27 | 5 | 18 |
| 15 | 14 | 17 | Pucho & His Latin Soul Brothers The Hideout (Milestone) |
133 | 143 | -10 | 0 | 31 | 12 | 9 |
| 16 | 6 |
18 | New Stories Hope Is the Air: Music of Elmo Hope (Origin) | 128 | 180 | -52 | 1 | 27 |
6 | 12 |
| 17 | 9 | 7 | Deep Blue Organ Trio Deep Blue Bruise (Delmark — DE-556) |
127 | 157 | -30 | 1 | 30 | 7 | 12 |
| 18 | 19 |
15 | Madeleine Peyroux Careless Love (Rounder) | 126 | 109 | +17 | 1 | 31 |
5 | 17 |
| 19 | 13 | 16 | Tony Monaco Firey Blues (Summit — 425) |
124 | 144 | -20 | 1 | 31 | 13 | 12 |
| 20 | 23 |
19 | Manuel Valera Forma Nueva (MAVO Records — 1101) | 113 | 100 | +13 | 0 |
30 | 19 | 12 |
| 20 | 24 | 28 | Mike Longo and the New York State of the Art Jazz Ensemble Oasis (CAP — 982) |
113 | 93 | +20 | 1 | 28 | 7 | 14 |
| 22 | — |
— | Christian Jacob Styne and Mine (WilderJazz) | 106 | 11 | +95 | 26 | 36 |
22 | 1 |
| 23 | 21 | 20 | Joe Sample Soul Shadows (Verve Music Group — B0002834-02) |
104 | 101 | +3 | 1 | 26 | 13 | 13 |
| 24 | 26 |
24 | Elvin Jones Jazz Machine The Truth (Half Note Records) | 103 | 91 | +12 | 2 | 27 |
23 | 12 |
| 25 | 17 | 21 | Michael Wolff Dangerous Vision (Artimas) | 99 |
122 | -23 | 0 | 32 | 17 | 9 |
| 26 | 24 | 10 |
Ray Charles Genius Loves Company (Concord — 2248) | 98 | 93 | +5 | 0 | 24 |
6 | 23 |
| 27 | 30 | 29 | Maurice Brown Hip To Bop (Brown Records — BR1014) |
97 | 88 | +9 | 1 | 27 | 20 | 13 |
| 28 | — |
— | Jay Leonhart Cool (Sons of Sound — 0022) | 96 | — | +96 | 29 | 35 |
28 | 1 |
| 29 | 35 | 47 | Caribbean Jazz Project Here and Now: Live In Concert (Concord Picante) | 95 |
77 | +18 | 13 | 29 | 29 | 3 |
| 30 | 34 | 38 |
Leslie Pintchik So Glad To Be Here (Ambient) | 94 | 79 | +15 | 2 | 25 | 30 |
5 |
| 31 | 43 | 41 | Royce Campbell Six By Six (Moon Cycle Records — JJ1975) | 89 |
69 | +20 | 2 | 33 | 5 | 17 |
| 31 | 33 | 25 |
The Great Jazz Trio Someday My Prince Will Come (Eighty-Eights/Columbia) | 89 | 81 | +8 | 5 | 32 | 9 |
17 |
| 33 | 12 | 9 | Phil Woods This Is How I Feel About Quincy (Jazzed Media — 783707946627) | 88 |
148 | -60 | 0 | 27 | 2 | 15 |
| 34 | 29 | 34 |
Chaka Khan Classikhan (AGU Sanctuary Records — 8752) | 86 | 89 | -3 | 1 | 25 |
29 | 9 |
| 35 | 49 | 46 | Patricia Barber Live: A Fortnight In France (Blue Note — 78213) |
82 | 61 | +21 | 1 | 23 | 9 | 18 |
| 36 | — |
— | Sasha Dobson w/The Chris Byars Octet The Darkling Thrush (Smalls Records) | 81 | 56 | +25 | 6 | 33 |
36 | 1 |
| 37 | 35 | 34 | Nancy Wilson R.S.V.P. (MCG Jazz — 1013) |
80 | 77 | +3 | 1 | 24 | 2 | 20 |
| 38 | 39 |
33 | Bob Dorough Sunday At Iridium (Arbors) | 78 | 71 | +7 | 2 | 29 |
29 | 9 |
| 39 | 28 | 29 | George Kahn Compared To What? (Playing Records) | 75 |
90 | -15 | 0 | 27 | 28 | 6 |
| 40 | — | — | Roditi / Ignatzek / Rassinfosse Light In The Dark (Nagel Heyer — 2047) |
74 | 39 | +35 | 10 | 22 | 40 | 1 |
| 41 | — |
— | Anthony Wonsey Blues For Hiroshi (Sharp Nine) | 72 | 54 | +18 | 1 | 21 |
21 | 12 |
| 42 | 26 | 32 | Linda Ronstadt Hummin’ to Myself (Verve Music Group — B0000887-02) |
71 | 91 | -20 | 0 | 25 | 26 | 5 |
| 42 | 21 |
27 | Denise Perrier Live At Yoshi’s (Chez Perrier Records) | 71 | 101 | -30 | 2 |
25 | 21 | 8 |
| 42 | 39 | 34 | Norman Simmons In Private (Savant — SCD 2056) |
71 | 71 | 0 | 1 | 19 | 14 | 15 |
| 42 | 32 |
23 | Al Jarreau Accentuate The Positive (Verve Music Group — 01312) | 71 | 83 | -12 | 0 |
19 | 3 | 24 |
| 42 | 39 | 37 | Peter Cincotti On The Moon (Concord — 2221-2) |
71 | 71 | 0 | 0 | 13 | 13 | 20 |
| 47 | — |
47 | Randy Halberstadt Parallel Tracks (Origin Records) | 66 | 60 | +6 | 1 | 20 |
47 | 3 |
| 47 | 37 | 31 | Alice Coltrane Translinear Light (Impulse — 0002199102) |
66 | 72 | -6 | 0 | 19 | 21 | 15 |
| 49 | — |
— | Peter Leitch Autobiography (Reservoir — CD179) | 65 | 53 | +12 | 0 |
24 | 7 | 16 |
| 49 | 37 | — | Ian Hendrickson-Smith Still Smokin’ (Sharp Nine) |
65 | 72 | -7 | 1 | 21 | 28 | 12 |
