| TW | LW | 2W | Artist | TW |
LW | Move | Add | Rpts | Peak | Wks |
| 1 | 3 | 3 |
Doctor Lonnie Smith Too Damn Hot (Palmetto — PM 2105) | 288 | 248 | +40 | 0 | 52 |
1 | 8 |
| 2 | 1 | 2 | Steve Turre The Spirits Up Above (HighNote) | 287 |
283 | +4 | 0 | 55 | 1 | 8 |
| 3 | 2 | 1 |
Eric Alexander Dead Center (HighNote — HCD 7131) | 273 | 261 | +12 | 0 | 50 |
1 | 9 |
| 4 | 4 | 4 | Houston Person To Etta With Love (HighNote — HCD 7127) |
238 | 226 | +12 | 0 | 45 | 2 | 9 |
| 5 | 8 |
6 | Jim Snidero Close Up (Milestone) | 214 | 155 | +59 | 0 | 46 |
5 | 10 |
| 6 | 5 | 11 | Queen Latifah The Dana Owens Album (Qwest) | 162 |
213 | -51 | 1 | 33 | 5 | 9 |
| 7 | 16 | 16 |
Deep Blue Organ Trio Deep Blue Bruise (Delmark — DE-556) | 143 | 112 | +31 | 2 | 30 |
7 | 10 |
| 8 | 15 | 9 | Paradigm Shift Shifting Times (Nagel Heyer) | 141 |
115 | +26 | 2 | 41 | 8 | 8 |
| 9 | 9 | 7 |
Phil Woods This Is How I Feel About Quincy (Jazzed Media — 783707946627) | 140 | 128 | +12 | 0 | 35 |
2 | 13 |
| 10 | 27 | 26 | Ray Charles Genius Loves Company (Concord — 2248) |
139 | 90 | +49 | 1 | 28 | 6 | 21 |
| 11 | 12 |
13 | Wallace Roney Prototype (HighNote) | 137 | 121 | +16 | 0 | 39 |
8 | 7 |
| 11 | 10 | 7 | Ken Peplowski Easy To Remember (Nagel Heyer — 2043) |
137 | 127 | +10 | 1 | 35 | 7 | 9 |
| 13 | 18 |
14 | Martijn van Iterson Quartet The Whole Bunch (Munich Records — BMCD 446) | 135 | 104 | +31 | 1 |
33 | 13 | 9 |
| 14 | 11 | 44 | Orbert Davis Blue Notes (3 Sixteen) |
133 | 126 | +7 | 5 | 32 | 11 | 3 |
| 15 | 7 |
22 | Madeleine Peyroux Careless Love (Rounder) | 128 | 170 | -42 | 0 | 33 |
5 | 15 |
| 16 | 17 | 17 | Tony Monaco Firey Blues (Summit — 425) |
126 | 111 | +15 | 0 | 28 | 16 | 10 |
| 17 | 14 |
12 | Pucho & His Latin Soul Brothers The Hideout (Milestone) | 124 | 119 | +5 | 2 |
29 | 12 | 7 |
| 18 | 23 | 10 | New Stories Hope Is the Air: Music of Elmo Hope (Origin) |
116 | 100 | +16 | 2 | 30 | 7 | 10 |
| 19 | 30 |
25 | Manuel Valera Forma Nueva (MAVO Records — 1101) | 113 | 83 | +30 | 1 |
32 | 19 | 10 |
| 20 | 19 | 21 | Joe Sample Soul Shadows (Verve Music Group — B0002834-02) |
111 | 103 | +8 | 0 | 26 | 13 | 11 |
| 21 | 20 |
14 | Clark Terry Porgy & Bess (Americana Music/A440 Music Group — 9002) | 104 | 102 | +2 |
1 | 29 | 5 | 16 |
| 21 | 20 | 18 | Michael Wolff Dangerous Vision (Artimas) |
104 | 102 | +2 | 1 | 27 | 18 | 7 |
| 23 | 24 |
— | Al Jarreau Accentuate The Positive (Verve Music Group — 01312) | 101 | 99 | +2 | 0 |
28 | 3 | 22 |
| 24 | 27 | 24 | Elvin Jones Jazz Machine The Truth (Half Note Records) |
96 | 90 | +6 | 0 | 31 | 23 | 10 |
| 25 | 20 |
27 | The Great Jazz Trio Someday My Prince Will Come (Eighty-Eights/Columbia) | 93 | 102 | -9 | 0 | 21 |
9 | 15 |
| 26 | 40 | 49 | Jessica Williams Live At Yoshi’s Volume One (MAXJAZZ — MXJ 210) |
91 | 70 | +21 | 1 | 22 | 7 | 20 |
| 27 | 35 |
32 | Denise Perrier Live At Yoshi’s (Chez Perrier Records) | 90 | 76 | +14 | 1 |
26 | 27 | 6 |
| 28 | 32 | 22 | Mike Longo and the New York State of the Art Jazz Ensemble Oasis (CAP — 982) |
89 | 80 | +9 | 0 | 21 | 7 | 12 |
| 29 | 42 |
35 | George Kahn Compared To What? (Playing Records) | 88 | 69 | +19 | 0 | 24 |
29 | 4 |
| 29 | 25 | 20 | Maurice Brown Hip To Bop (Brown Records — BR1014) |
88 | 97 | -9 | 0 | 21 | 20 | 11 |
| 31 | 26 |
40 | Alice Coltrane Translinear Light (Impulse — 0002199102) | 87 | 96 | -9 | 0 |
25 | 21 | 13 |
| 32 | 37 | 46 | Linda Ronstadt Hummin’ to Myself (Verve Music Group — B0000887-02) |
80 | 73 | +7 | 1 | 24 | 32 | 3 |
| 33 | 37 |
44 | Bob Dorough Sunday At Iridium (Arbors) | 79 | 73 | +6 | 0 | 24 |
29 | 7 |
| 34 | 36 | 28 | Nancy Wilson R.S.V.P. (MCG Jazz — 1013) |
76 | 75 | +1 | 0 | 24 | 2 | 18 |
| 34 | 29 |
35 | Chaka Khan Classikhan (AGU Sanctuary Records — 8752) | 76 | 86 | -10 | 0 |
23 | 29 | 7 |
| 34 | 39 | 33 | Norman Simmons In Private (Savant — SCD 2056) |
76 | 72 | +4 | 0 | 19 | 14 | 13 |
| 37 | — |
— | Peter Cincotti On The Moon (Concord — 2221-2) | 75 | 57 | +18 | 0 |
15 | 13 | 18 |
| 38 | 40 | 42 | Leslie Pintchik So Glad To Be Here (Ambient) |
73 | 70 | +3 | 0 | 19 | 38 | 3 |
| 39 | — |
— | The William Ash Trio The Phoenix (Smalls Records) | 71 | 48 | +23 | 2 | 8 |
39 | 1 |
| 40 | — | — | Shelly Berg Trio Blackbird (Concord Jazz — 2216-2) | 70 |
30 | +40 | 13 | 18 | 40 | 1 |
| 41 | 48 | 31 |
Royce Campbell Six By Six (Moon Cycle Records — JJ1975) | 68 | 61 | +7 | 0 | 29 |
5 | 15 |
| 41 | 31 | 34 | Rene Marie Serene Renegade (MAXJAZZ — MXJ120) |
68 | 82 | -14 | 0 | 25 | 19 | 12 |
| 43 | 33 |
28 | Papa John DeFrancesco Walking Uptown (Savant — SCD 2060) | 67 | 78 | -11 | 0 |
23 | 11 | 13 |
| 44 | — | 39 | Ray Mantilla Man-Ti-Ya (Savant — SCD 2059) |
65 | 58 | +7 | 1 | 21 | 6 | 12 |
| 44 | 46 |
— | Lynne Arriale Come Together (Motema — MTM 00001) | 65 | 62 | +3 | 0 |
20 | 5 | 16 |
| 46 | 48 | 42 | Patricia Barber Live: A Fortnight In France (Blue Note — 78213) |
64 | 61 | +3 | 0 | 22 | 9 | 16 |
| 47 | — |
— | Randy Halberstadt Parallel Tracks (Origin Records) | 62 | 44 | +18 | 3 | 22 |
47 | 1 |
| 47 | — | — | Jane Monheit Taking A Chance On Love (Sony Classical — 92495) | 62 |
43 | +19 | 0 | 21 | 3 | 18 |
| 47 | — | — | Caribbean Jazz Project Here and Now: Live In Concert (Concord Picante) |
62 | — | +62 | 15 | 17 | 47 | 1 |
| 50 | 43 |
— | Michael James Turre Compositions (Illusory) | 60 | 67 | -7 | 0 | 19 |
38 | 7 |
