| TW | LW | 2W | Artist | TW |
LW | Move | Add | Rpts | Peak | Wks |
| 1 | 1 | 22 |
Roy Hargrove Earfood (Emarcy) | 260 | 307 | -47 | 6 | 65 | 1 |
3 |
| 2 | 2 | 1 | Cassandra Wilson Loverly (Blue Note) | 232 | 223 |
+9 | 0 | 55 | 1 | 8 |
| 3 | — | — | David Sanborn Here And Gone (Decca) |
209 | — | +209 | 41 | 43 | 3 | 1 |
| 4 | 4 |
2 | Steve Turre Rainbow People (HighNote) | 202 | 201 | +1 | 0 | 58 |
1 | 11 |
| 5 | 3 | 3 | Ahmad Jamal It’s Magic (Dreyfus) |
190 | 203 | -13 | 0 | 51 | 2 | 9 |
| 6 | 5 |
4 | James Carter Present Tense (Emarcy) | 170 | 184 | -14 | 0 | 50 |
1 | 11 |
| 7 | 13 | — | Cedar Walton Seasoned Wood (HighNote) | 162 |
120 | +42 | 16 | 50 | 7 | 2 |
| 8 | 16 | 12 |
Rob Schneiderman Glass Enclosure (Reservoir) | 157 | 116 | +41 | 1 | 46 | 8 |
6 |
| 9 | 30 | 10 | The Vanguard Jazz Orchestra Monday Night Live At The Village Vanguard (Planet Arts) | 156 | 85 |
+71 | 2 | 39 | 9 | 5 |
| 10 | 8 | 11 | Larry Vuckovich High Wall: Real Life Film Noir (Tetrachord) |
155 | 143 | +12 | 0 | 44 | 8 | 7 |
| 11 | 17 |
7 | Ellis Marsalis An Open Letter To Thelonious (Elm) | 151 | 114 | +37 | 1 | 49 |
4 | 11 |
| 12 | 11 | 8 | Conrad Herwig The Latin Side Of Wayne Shorter (Half Note Records) | 149 |
123 | +26 | 0 | 50 | 3 | 9 |
| 13 | 12 | — |
Don Braden Gentle Storm (HighNote) | 148 | 121 | +27 | 10 | 49 | 12 |
2 |
| 14 | 6 | 8 | Esperanza Spalding Esperanza (Heads Up) | 147 | 174 |
-27 | 0 | 51 | 2 | 13 |
| 15 | 10 | 6 | Hot Club Of Detroit Night Town (Mack Avenue) |
146 | 124 | +22 | 5 | 41 | 6 | 6 |
| 16 | — |
— | Jeremy Pelt November (MAXJAZZ) | 140 | 28 | +112 | 30 | 47 |
16 | 1 |
| 16 | 24 | 15 | Wayne Wallace The Nature Of The Beat (Patois Records) | 140 |
100 | +40 | 3 | 47 | 15 | 6 |
| 18 | 7 | 5 |
Willie Nelson & Wynton Marsalis Two Men With The Blues (Blue Note) | 133 | 160 | -27 | 2 | 52 |
2 | 7 |
| 19 | 9 | 13 | Scott Hamilton Across The Tracks (Concord) | 132 |
125 | +7 | 0 | 47 | 2 | 15 |
| 20 | 15 | 27 |
Alvin Queen Jammin’ Uptown (Just A Memory) | 126 | 117 | +9 | 3 | 35 |
15 | 5 |
| 21 | 36 | — | David Berger I Had The Craziest Dream - The Music Of Harry Warren (Such Sweet Thunder Records) | 112 |
74 | +38 | 9 | 42 | 21 | 2 |
| 22 | 22 | 14 |
Alan Baylock Jazz Orchestra Eastern Standard Time (Self Released) | 107 | 103 | +4 | 0 | 32 | 7 |
13 |
| 23 | 20 | 25 | Taylor Eigsti Let It Come To You (Concord) | 102 | 109 |
-7 | 0 | 39 | 2 | 15 |
| 24 | — | 19 | Saxophone Summit Seraphic Light (Telarc) |
98 | 58 | +40 | 1 | 42 | 19 | 9 |
| 24 | 22 |
19 | Jerry Bergonzi Tenor Talk (Savant) | 98 | 103 | -5 | 0 | 37 |
19 | 6 |
| 26 | 41 | — | Bill Frisell History, Mystery (Nonesuch) | 95 |
67 | +28 | 0 | 46 | 26 | 11 |
| 26 | 25 | 19 |
Nicholas Payton Into The Blue (Nonesuch) | 95 | 94 | +1 | 0 | 38 | 4 |
14 |
| 28 | 21 | 32 | Jaime Davis Vibe Over Perfection (Unity Music) | 93 | 108 |
-15 | 2 | 28 | 21 | 4 |
| 29 | 29 | 26 | John Beasley Letter To Herbie (Resonance) |
91 | 91 | 0 | 2 | 24 | 11 | 16 |
| 30 | 14 |
31 | Avishai Cohen Gently Disturbed (RazDaz/Sunnyside) | 90 | 118 | -28 | 1 | 31 |
14 | 12 |
| 31 | — | — | Janis Mann A Perfect Time: Drummers And Other Friends (Pancake) | 89 | 56 |
+33 | 23 | 42 | 31 | 1 |
| 32 | 26 | 17 | Dianne Reeves When You Know (Blue Note) |
88 | 93 | -5 | 0 | 37 | 1 | 17 |
| 32 | 27 |
34 | John Patton Soul Connection (Just A Memory) | 88 | 92 | -4 | 2 | 34 |
27 | 5 |
| 34 | 38 | — | Steven Kroon El Mas Alla (Beyond) (Kroon-A-Toon) | 87 |
68 | +19 | 9 | 37 | 34 | 2 |
| 35 | 18 | 17 |
Derrick Gardner & The Jazz Prophets A Ride To The Other Side ... (Owl Studios) | 82 | 111 | -29 | 0 | 31 |
15 | 12 |
| 36 | 35 | 38 | Stanley Jordan State Of Nature (Mack Avenue) | 81 |
75 | +6 | 0 | 26 | 6 | 17 |
| 37 | — | — | Robin McKelle Modern Antique (Cheap Lullaby) |
80 | 14 | +66 | 23 | 26 | 37 | 1 |
| 38 | 32 |
35 | Yellowjackets Lifecycle (Heads Up) | 79 | 83 | -4 | 1 | 23 |
23 | 11 |
| 39 | — | 41 | Mark Weinstein Straight No Chaser (Jazzheads) | 73 |
40 | +33 | 2 | 34 | 30 | 6 |
| 39 | 30 | — |
The Willie Martinez La Familia Sextet After Winter, Spring (Cuch Be Witcha Productions) | 73 | 85 | -12 | 3 | 28 | 30 |
2 |
| 39 | 19 | 15 | The Brubeck Brothers Classified (Koch) | 73 | 110 |
-37 | 1 | 24 | 7 | 14 |
| 39 | 44 | 30 | Joel Haynes Trio & Seamus Blake Transitions (Cellar Live) |
73 | 66 | +7 | 6 | 23 | 30 | 4 |
| 43 | — |
33 | Joe Gilman View So Tender: Wonder Revisited Volume 2 (Capri) | 68 | 44 | +24 | 0 | 28 |
33 | 3 |
| 44 | 33 | 23 | Houston Person & Ron Carter Just Between Friends (HighNote) |
67 | 79 | -12 | 0 | 25 | 11 | 10 |
| 44 | 34 |
36 | Alphonse Mouzon Jazz In Bel-Air (Tenacious) | 67 | 76 | -9 | 0 | 23 |
34 | 6 |
| 46 | 27 | — | Chip White Double Dedication (Dark Colors) | 65 |
92 | -27 | 3 | 27 | 27 | 2 |
| 47 | — | — | Marilyn Scott Every Time We Say Goodbye (Venus Records) |
63 | 42 | +21 | 0 | 31 | 33 | 10 |
| 47 | 49 |
42 | Mark Sherman Live At The Bird’s Eye (Miles High) | 63 | 61 | +2 | 0 |
18 | 29 | 12 |
| 49 | 38 | 23 | Wayne Escoffery Hopes And Dreams (Savant) |
60 | 68 | -8 | 1 | 25 | 6 | 15 |
| 50 | — |
— | Hiromi’s Sonicbloom Beyond Standard (Telarc) | 58 | 48 | +10 | 3 | 20 |
50 | 1 |
