| TW | LW | 2W | Artist | TW |
LW | Move | Add | Rpts | Peak | Wks |
| 1 | 1 | 1 |
Roy Hargrove Earfood (Emarcy) | 285 | 260 | +25 | 2 | 66 | 1 |
4 |
| 2 | 4 | 4 | Steve Turre Rainbow People (HighNote) | 183 | 202 |
-19 | 2 | 55 | 1 | 12 |
| 3 | 5 | 3 | Ahmad Jamal It’s Magic (Dreyfus) |
177 | 190 | -13 | 1 | 50 | 2 | 10 |
| 4 | 2 |
2 | Cassandra Wilson Loverly (Blue Note) | 176 | 232 | -56 | 0 | 55 |
1 | 9 |
| 5 | 7 | 13 | Cedar Walton Seasoned Wood (HighNote) | 163 |
162 | +1 | 6 | 60 | 5 | 3 |
| 6 | 8 | 16 |
Rob Schneiderman Glass Enclosure (Reservoir) | 160 | 157 | +3 | 1 | 50 | 6 |
7 |
| 7 | 6 | 5 | James Carter Present Tense (Emarcy) | 156 | 170 |
-14 | 0 | 50 | 1 | 12 |
| 8 | 13 | 12 | Don Braden Gentle Storm (HighNote) |
152 | 148 | +4 | 11 | 58 | 8 | 3 |
| 9 | 31 |
— | Janis Mann A Perfect Time: Drummers And Other Friends (Pancake) | 150 | 89 | +61 | 10 | 48 |
9 | 2 |
| 10 | 22 | 22 | Alan Baylock Jazz Orchestra Eastern Standard Time (Self Released) | 144 |
107 | +37 | 0 | 40 | 7 | 14 |
| 10 | 9 | 30 |
The Vanguard Jazz Orchestra Monday Night Live At The Village Vanguard (Planet Arts) | 144 | 156 | -12 | 3 | 38 | 9 |
6 |
| 12 | 18 | 7 | Willie Nelson & Wynton Marsalis Two Men With The Blues (Blue Note) | 139 |
133 | +6 | 0 | 45 | 2 | 8 |
| 13 | 14 | 6 |
Esperanza Spalding Esperanza (Heads Up) | 130 | 147 | -17 | 1 | 41 | 2 |
14 |
| 14 | 16 | 24 | Wayne Wallace The Nature Of The Beat (Patois Records) | 129 | 140 |
-11 | 3 | 38 | 14 | 7 |
| 15 | 15 | 10 | Hot Club Of Detroit Night Town (Mack Avenue) |
125 | 146 | -21 | 1 | 37 | 6 | 7 |
| 16 | 12 |
11 | Conrad Herwig The Latin Side Of Wayne Shorter (Half Note Records) | 116 | 149 | -33 | 0 | 40 |
3 | 10 |
| 17 | 19 | 9 | Scott Hamilton Across The Tracks (Concord) | 110 |
132 | -22 | 1 | 40 | 2 | 16 |
| 17 | 10 | 8 |
Larry Vuckovich High Wall: Real Life Film Noir (Tetrachord) | 110 | 155 | -45 | 0 | 40 | 8 |
8 |
| 19 | 37 | — | Robin McKelle Modern Antique (Cheap Lullaby) | 107 | 80 |
+27 | 10 | 33 | 19 | 2 |
| 20 | 24 | 22 | Jerry Bergonzi Tenor Talk (Savant) |
105 | 98 | +7 | 1 | 32 | 19 | 7 |
| 21 | 20 |
15 | Alvin Queen Jammin’ Uptown (Just A Memory) | 104 | 126 | -22 | 4 |
38 | 15 | 6 |
| 22 | 11 | 17 | Ellis Marsalis An Open Letter To Thelonious (Elm) |
102 | 151 | -49 | 0 | 36 | 4 | 12 |
| 23 | 39 |
44 | Joel Haynes Trio & Seamus Blake Transitions (Cellar Live) | 100 | 73 | +27 | 2 |
29 | 23 | 5 |
| 24 | — | 38 | Cory Weeds Big Weeds (Cellar Live) |
98 | 56 | +42 | 8 | 40 | 24 | 4 |
| 24 | 16 |
— | Jeremy Pelt November (MAXJAZZ) | 98 | 140 | -42 | 5 | 39 |
16 | 2 |
| 26 | 28 | 21 | Jaime Davis Vibe Over Perfection (Unity Music) | 96 |
93 | +3 | 2 | 30 | 21 | 5 |
| 27 | 29 | 29 |
John Beasley Letter To Herbie (Resonance) | 94 | 91 | +3 | 1 | 35 | 11 |
17 |
| 28 | 35 | 18 | Derrick Gardner & The Jazz Prophets A Ride To The Other Side ... (Owl Studios) | 92 |
82 | +10 | 0 | 35 | 15 | 13 |
| 29 | — | — | S.M.V. Thunder (Heads Up) |
89 | 34 | +55 | 27 | 43 | 29 | 1 |
| 29 | 32 |
26 | Dianne Reeves When You Know (Blue Note) | 89 | 88 | +1 | 1 | 42 |
1 | 18 |
| 31 | 21 | 36 | David Berger I Had The Craziest Dream - The Music Of Harry Warren (Such Sweet Thunder Records) | 87 |
112 | -25 | 3 | 40 | 21 | 3 |
| 32 | 24 | — |
Saxophone Summit Seraphic Light (Telarc) | 84 | 98 | -14 | 4 | 41 | 19 |
10 |
| 32 | 38 | 32 | Yellowjackets Lifecycle (Heads Up) | 84 | 79 |
+5 | 1 | 26 | 23 | 12 |
| 34 | 34 | 38 | Steven Kroon El Mas Alla (Beyond) (Kroon-A-Toon) |
80 | 87 | -7 | 4 | 35 | 34 | 3 |
| 35 | — |
— | Elio Villafranca The Source In Between (Self Released) | 77 | 50 | +27 | 17 | 44 |
35 | 1 |
| 35 | — | — | John Stein Encounterpoint (Whaling City Sound) | 77 | 16 |
+61 | 25 | 31 | 35 | 1 |
| 37 | 26 | 25 | Nicholas Payton Into The Blue (Nonesuch) |
76 | 95 | -19 | 0 | 34 | 4 | 15 |
| 37 | 50 |
— | Hiromi’s Sonicbloom Beyond Standard (Telarc) | 76 | 58 | +18 | 3 | 23 |
37 | 2 |
| 39 | — | — | Ralph Bowen Five (Criss Cross) | 72 | 27 |
+45 | 6 | 23 | 39 | 1 |
| 40 | 46 | 27 | Chip White Double Dedication (Dark Colors) |
71 | 65 | +6 | 8 | 29 | 27 | 3 |
| 40 | 23 |
20 | Taylor Eigsti Let It Come To You (Concord) | 71 | 102 | -31 | 0 | 29 |
2 | 16 |
| 42 | 32 | 27 | John Patton Soul Connection (Just A Memory) | 70 |
88 | -18 | 4 | 30 | 27 | 6 |
| 43 | — | — | Steve Allee Dragonfly (Owl) |
69 | 55 | +14 | 13 | 35 | 43 | 1 |
| 44 | 39 |
30 | The Willie Martinez La Familia Sextet After Winter, Spring (Cuch Be Witcha Productions) | 68 | 73 | -5 | 1 | 33 |
30 | 3 |
| 44 | — | — | Kenny Barron The Traveler (Sunnyside) | 68 | — |
+68 | 22 | 27 | 44 | 1 |
| 46 | 26 | 41 | Bill Frisell History, Mystery (Nonesuch) |
66 | 95 | -29 | 3 | 39 | 26 | 12 |
| 46 | 30 |
14 | Avishai Cohen Gently Disturbed (RazDaz/Sunnyside) | 66 | 90 | -24 | 0 | 26 |
14 | 13 |
| 46 | 39 | 19 | The Brubeck Brothers Classified (Koch) | 66 |
73 | -7 | 0 | 22 | 7 | 15 |
| 46 | 36 | 35 |
Stanley Jordan State Of Nature (Mack Avenue) | 66 | 81 | -15 | 0 | 21 | 6 |
18 |
| 50 | — | — | Jeff Hackworth Where The Blue Begins (Big Bridge) | 65 | 56 | +9 |
2 | 25 | 50 | 1 |
