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Stuart Mack's Debut, 'Vibrations' Profoundly Reflects On Humanity In Music
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Outside in Music
Award-winning trumpeter and composer Stuart Mack releases Vibrations, a salient debut reflecting on the profoundly unifying and distinctly human nature of music Stuart Mack is a trumpeter and composer based in New York who is rapidly rising through the ranks of top-tier musicians. At a point in life where many people would just be starting their careers, Mack has already carved a name for himself with some of today’s leading jazz ensembles and musicians. Having worked with jazz groups and ...
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Johnny Lytle: People & Love
Source:
JazzWax by Marc Myers
Johnny Lytle was a big deal during the 1960s and early 1970s. In some respects, the vibraphonist and composer perfected an album model that inspired Creed Taylor's CTI label, combining jazz originals and jazzy interpretations of soul hits. In many respects, there isn't a bad Lytle album. One of my favorites was his interpretation of songs from the soundtrack to A Man and a Woman in 1967. Also terrific are Blue Vibes (1960), The Loop (1966), New and Groovy (1967) ...
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Backgrounder: Herbie Mann - Yardbird Suite
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JazzWax by Marc Myers
By 1957, the West Coast jazz scene was firmly established and its musicians were working regularly in Los Angeles' many recording studios. The best ones worked relentlessly cranking out 12-inch LPs. The same was true of New York's jazz scene, where improvisers found themselves in strong demand by leading labels such as Blue Note, Prestige, Savoy and Riverside. That year, six of the finest New York players appeared on Yardbird Suite, an extraordinary album led by flutist Herbie Mann. Recorded ...
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Joe Henderson: Power to the People
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JazzWax by Marc Myers
A new jazz style emerged in the late 1960s that wasn't an extension of hard bop or free jazz. For a brief period—following the assassination of Martin Luther King Jr. in April 1968 and the onset of fusion in the mid-1970s—a new Black power expression wrapped in pan-Africanism appeared in the works of Black journalists, books on the Black condition by Black intellectuals, folk paintings by Black artists and music by Black jazz artists. During these years you could hear ...
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Pianist-composer Yelena Eckemoff Takes An Intriguing New Direction With 'Romance Of The Moon,' To Be Released May 10 By L&H Production
Source:
Terri Hinte Publicity
Pianist-composer-conceptualist Yelena Eckemoff tries something a little bit different—but no less cerebral and audacious—with Romance of the Moon, set for a May 10 release on her own L&H Production label. Always a multimedia thinker, Eckemoff has previously made albums that incorporate her visual art as well as stories, poems, and concepts from her own imagination. This time, she presents a suite of compositions inspired by the great Spanish poet Federico García Lorca, as interpreted by the formidable Italian ensemble that ...
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Alfredo Dias Gomes Releases 'Tributo A Elvin Jones,' In Honor Of The Legendary Jazz Drummer
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Alfredo Dias Gomes
Accompanied by a respected team of musicians (Jessé Sadoc, trumpet and flugelhorn; David Feldman, piano; Jefferson Lescowich, acoustic bass), Rio de Janeiro drummer Alfredo Dias Gomes released Tributo a Elvin Jones. Recorded in his home studio with sound engineer Thiago Kropf, the album arrived on digital platforms (Apple Music, Spotify, Deezer, Amazon and YouTube Music) on March 1st. “The fascination with Elvin Jones’ style is longstanding,” says Gomes. “The first time I saw him play was on a VHS video ...
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Backgrounder: Sonny Stitt - Tune-Up!
Source:
JazzWax by Marc Myers
Perhaps the high points of Joe Fields's Cobblestone label were a pair of albums by Sonny Stitt released in 1972—Tune-Up! and Constellation. Both were produced by Don Schlitten. On Tunre-Up!, Stitt played alto and tenor saxophone and was accompanied by Barry Harris on piano, Sam Jones on bass and Alan Dawson on drums. What made this album (and Constellation) special was Stitt's commanding speed, clean lines and bebop fluidity. I remember buying both at Sam Goody in Manhattan that year ...
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Jazz Meets Classic And Cinema on Gerhard Daum's 'Jazz Ballads'
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Gerhard Daum
Jazz Ballads is the fourth album by Gerhard Daum that I’ve reviewed since 2017, and each album has been a surprise—from solo piano to guitar to ensemble and now to trumpet. Daum’s trumpet is the lead instrument on all of the tracks along with an ensemble that includes piano, flugelhorn, guitars and MIDI bass—all played by Daum—and drums/percussion performed by Adam Nussbaum. Daum composed and arranged all fourteen tracks and the album was recorded in Cologne and Berlin, Germany. Daum ...
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