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Interview: Americana Band Run 8 Rider Drives Through Various Influences On New Record
Source:
Eric Taylor
When Run 8 Rider aren't busy rebuilding Devo's New Wave one-hit wonder “Whip It" into a Hee Haw hoedown, they are producing some of the most authentic and robust country rock around, which can be heard on their new album, Tenderfoot. For an Americana act, Run 8 Rider are decidedly less rooted in tradition; at the same time, they refuse to adapt to contemporary Nashville cheesiness, too. Q: Have you always been country music fans? What are the group's musical ...
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Interview: Australian Blues Vocalist Dee Lavell
Source:
Eric Taylor
Q: When did you begin to sing? Who were your musical inspirations? A: It wasn't until I was in my 20s when friends started to tell me that I had a good voice and ought to go and get with a band. I loved soul and funk music, especially the black female singers, so I listened to the greats like Aretha Franklin, Chaka Khan, and Luther Vandross, but I also loved the great jazz singers as well - Sarah Vaughan, ...
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Ted Cohen on Music Tech and the Music Industry [interview]
![Ted Cohen on Music Tech and the Music Industry [interview]](https://s3.amazonaws.com/allaboutjazz/photos/logo/hypebotlogo2015.jpg){kind=logo}
Source:
HypeBot
By Larry LeBlanc for Celebrity Access. Ted Cohen's nickname should be The Hammer. One of the most popular speakers on the music industry's bustling conference circuit, Cohen—managing partner of TAG Strategic, and one of the pre-eminent experts in digital entertainment—can out talk, outwit, and pummel into the ground anyone dumb enough to oppose or disagree with him. Think of a master chess player fueled up on Red Bull, and triple shots of espresso. His four-decade digital media-fueled career has encompassed ...
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Interview: Marlene VerPlanck
Source:
JazzWax by Marc Myers
Singer Marelen VerPlanck has a new album—Ballads, Mostly. It's a delicious collection of moody songs with an upbeat feel. Seven of the 15 track were arranged by Marlene's late husband, Billy VerPlanck, who died in 2009. Though Marlene spent three decades starting in the '60s recording demos and jingles, she began her professional career in the bands of Charlie Spivak and Tommy Dorsey, and recorded many terrific jazz albums over the years. Marlene also continues to perfom. On Saturday at ...
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Claude Thornhill: 1941-42
Source:
JazzWax by Marc Myers
For me, music doesn't spin in a vacuum. As a historian, once I know the date of a recording, a series of mental overlays drop into place—including the period's socio-political events, technological and economic developments, cultural trends, and the country's overall mood. Processing music this way comes in particularly handy when listening to Claude Thornhill's recordings between 1940 and '53, many of which have been overlooked today or written off by big-band and jazz fans. [Pictured above: Claude Thornhill in ...
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Interview: James "Jimmy G" Gutzman Of High Brow And The Shades
Source:
Eric Taylor
Q: When and how did High Brow and the Shades form? A: High Brow started the way a lot of bands start — a couple of guys from one band and a couple from another. That was in 1998. The newly-formed band was fortunate in that we had four strong vocalists. We could all sing lead and harmonize, and our vocal strength allowed us to play venues that were normally booking six to 10-piece groups, and we could also play ...
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For Americana Recording Artist, Julie Christensen, Cathartic Journey Prompts Album -- Weeds Like Us -- While New Leonard Cohen Biography Marks Her Role In Legendary Career
Source:
KJPR Publicity and Artist Relations
Julie Christensen'S “WEEDS LIKE US” CD Candidly Reveals a Cathartic Journey of Loss and Survival Bringing “Great Plains Soul” to Acclaimed Career of Americana Singer-Songwriter While Release of New Leonard Cohen Biography Documents Christensen's Pivotal, Musical Role in Legendary Career Los Angeles, CA: It is a busy season for Julie Christensen, whose critically-acclaimed recordings, and longtime backing vocals for Leonard Cohen, confirm her standing as a quintessential “Americana” artist who matters. Now, her body of work has taken a decidedly ...
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Interview: Lalo Schifrin
Source:
JazzWax by Marc Myers
The Sunday before Hurricane Sandy veered inland and flooded Northeastern coastal areas, I caught the last flight out of JFK bound for Los Angeles. I was heading west to interview Lalo Schifrin for the Wall Street Journal (go here). As the jet taxied, it seemed only fitting that my conversation with music's master of suspense should start out with real-life nail-biting drama. Meeting Lalo was a thrill for me. One of my first exposures to jazz as a kid was ...
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