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Ellery Eskelin, Andrea Parkins & Jim Black: One Great Day... on Hatology
Source:
Werner Uehlinger
In some ways I think that a recording is the best medium for this music. I can think of a lot of music that speaks better on a recording than it does in a club where the environment and the audience's expectations exert an effect on the music. With this recording we've found a mix between the two. Writing music for this band has been a real break through for me. Andrea and Jim have ears for anything I put ...
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Ray Anderson, Han Bennink & Christy Doran: ABD on hatOLOGY
Source:
Werner Uehlinger
Listening to Anderson's four compositions, Doran's piece, four free improvisations, and an Ellington tune, from the two sessions strike me as collages of a sort, bringing together very different aesthetics, directions, and materials, for a direct confrontation. Not a confrontational confrontation, mind you. A very amenable comparing, contrasting, and combining of sensibilities, the very thing that makes creative music tick. John Corbett Originally released as Azurety and Cheer Up. Recorded in 1994-1995. Personnel: Ray Andeerson (trombone, tuba); Han Bennink (drums); ...
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Ran Blake with Ricky Ford & Steve Lacy: That Certain Feeling (George Gershwin Songbook), available September 2010
Source:
Werner Uehlinger
Songswith or without lyricsbeing no less than stories, and the best songs of George (and frequently Ira) Gershwin being stories of the first order, any number of these exhilarating moments are to be heard on this disc, a result of the material (Gershwin's) inspiring the imagination of the improviser, Ran Blake. Blake's art is wholly a product of his acute attention (to the stories, images, and utterances of his imagination) and integrity (in the formal process of making music, spontaneously). ...
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ICP Orchestra: "Jubilee Varia" on Hatology 667, Available September 2010
Source:
Werner Uehlinger
On first hearing this CD may sound to you like an ill-programmed mess, with the improvisations up front and the catchy numbers buried deep. But with ICP, over the long haul or short, the more you hear it, the more apparent its trajec tory becomes, the more orderly and less chaotic it sounds. Or, the more you hear ICP's improvised instant compositions" and their instant demolitions of Misha's highly whistleable tunes, the less clear it becomes what's order and what's ...
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