Daniel Mille at Satalla in NYC on December 14

For his fourth opus, Entre chien et loup, Daniel was crystal-clear in his mind: “I wanted to make an accordionist's record, not an accordion album, and pay special attention to the compositions. Composing is like a second trade, to me. When people listen to one of my pieces, like those of Daniel Goyone, I like the writing to be recognised." In that respect, Piazzola and Toninho Horta have nourished him as much as jazz or the dancehalls of the Rue de Lappe. The feeling of silence, the exactness of the musical time, is another of his aces in causing emotion to ooze from his “box of shivers". “Sometimes virtuosity is a fig-leaf hiding the lack of emotion. I can't allow myself virtuosity, so