I have been meaning to write for a while to say how much I enjoy reading Rifftides. I was prompted to write following your two most recent posts on Bill Finegan and Billy Strayhorn. Whilst Glenn Miller's music is often denigrated in jazz circles - criticised for something it never set out to be - I always thought there was lot in there to listen for.
I was fascinated to read - in David Hajdu's Strayhorn biography, I think - that Billy Strayhorn had listened to, knew and appreciated all of Finegan's work for the Miller band. I am sorry to think that only until a couple of days ago, we still had with us the man who created that legendary arrangement of “Little Brown Jug" - and that there existed such friendship between two such great arrangers. Add that I think Bill Finegan tutored and offered much to the young Nelson Riddle and you have the three greatest writers of a time when that sad disjuncture between popular music and jazz, written and improvised work, did not exist--and popular music was all the richer for it.
( Mr. Bradley's blogs at The Record Shows. -- DR)
