Roderick David Stewart, born 10 January 1945, Highgate, London, England. The leading UK rock star of the 70s started his career as an apprentice professional with Brentford Football Club (over the years Stewart has made it known that football is his second love). Following a spell roaming Europe with folk artist Wizz Jones in the early 60s he returned to join Jimmy Powell And The Five Dimensions in 1963. This frantic R&B band featured Rod playing furious harmonica, reminiscent of James Cotton and Little Walter. As word got out, he was attracted to London and was hired by Long John Baldry in his band the Hoochie Coochie Men (formerly Cyril Davies' All Stars).
Without significant success outside the club scene, the band disintegrated and evolved into the Steampacket, with Baldry, Stewart, Brian Auger, Julie Driscoll, Mickey Waller and Rick Brown. Following a television documentary on the swinging mod scene, featuring Stewart, he collected his moniker 'Rod the Mod'. In 1965, he joined the blues-based Shotgun Express as joint lead vocalist with Beryl Marsden. The impressive line-up included Peter Green, Mick Fleetwood and Peter Bardens. By the following year, Stewart was well-known in R&B and blues circles, but it was joining the Jeff Beck Group that gave him national exposure. During his tenure with Beck he recorded two important albums, Truth and Cosa Nostra-Beck Ola and made a number of gruelling tours of America.
When the group broke up (partly through exhaustion) Stewart and Ron Wood joined the Faces, now having lost their smallest face, Steve Marriott. Simultaneously, Stewart had been signed as a solo artist to Phonogram, and he managed to juggle both careers expertly over the next six years. Though critically well-received, his first album sold only moderately; it was Gasoline Alley that made the breakthrough. In addition to the superb title track it contained the glorious 'Lady Day'. This album marked the beginning of the 'mandolin' sound supplied by the talented guitarist Martin Quittenton. Stewart became a superstar on the strength of his next two albums, Every Picture Tells A Story and Never A Dull Moment.
Taken as one body of work, they represent Stewart at his best. His choice and exemplary execution of non-originals gave him numerous hits from these albums including; 'Reason To Believe' ( Tim Hardin ), 'I'm Losing You' ( Temptations ), 'Angel' ( Jimi Hendrix ). His own classics were the irresistible chart- topping magnum opus 'Maggie May' and the wonderful 'You Wear It Well', all sung in his now familiar frail, hoarse voice. In the mid-70s, following the release of the below average Smiler, Stewart embarked on a relationship with the actress, Britt Ekland. Besotted with her, he allowed her to dictate his sense of dress, and for a while appeared in faintly ludicrous dungarees made out of silk and ridiculous jump suits.