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Rainer Bruninghaus

ainer Brüninghaus was born in 1949.

He discovered the piano at the age of four years. Initially the music was an amusing game. Without instruction he originated sounds, harmonies and melodies. When he was nine years old, he started classical piano lessons. His talent was evident and a year later he could play Mozart sonatas.  At 14 years he discovered jazz and as a 16-year-old he founded a trio and played modern jazz.

From 1968 to 1972 Brüninghaus studied sociology at the university of Cologne, but there grew in him the conviction that his true appeal was music.

During his sociology studies, he founded Eiliff, an experimental jazz rock band with which he recorded two LPs and one single.

From 1971 to 1975 he studied music. At that time, Winfried Trenkler, a broadcasting company editor and music critic, said in a broadcast transmission that the fact that Brüninghaus studies piano, could be compared to a racing driver having to take a driving test.

From 1973 to 1975 he was a regular member of Volker Kriegel’s jazz rock group Spectrum and participated in his next group Mild Maniac Orchestra. From 1973 onwards, he was also (until 1985) a frequent guest in the jazz ensemble of Hessian Broadcasting Corporation (hr) and in the big band of Hessian Broadcasting Corporation (hr-Bigband). He was also invited to play in the Kurt Edelhagen orchestra as a soloist.

In 1975 a close cooperation with Eberhard Weber started which lasted for seven years in the group Colours in which Charlie Mariano also played. At the same time Brüninghaus also worked together with Manfred Schoof, including duo concerts.

A special honour was given to the pianist in 1976: Brüninghaus represented Germany at the international festival of the European Broadcasting Union. On this occasion, the artist composed a work for solo piano, and it was so successful that Brüninghaus developed a whole solo programme out of it. The premiere during the Heidelberg jazz days was a great success and for Brüninghaus it was the impulse to give more solo grand piano concerts.

In the meantime, Brüninghaus enjoyed more and more respect as a composer. At the German Jazz Festival Frankfurt of 1978 he performed a suite of pieces lasting 50 minutes which he had composed as a commissioned work for that festival. The well known jazz critic, Joachim-Ernst Behrendt, wrote afterwards that he considered  Brüninghaus to be one of the three leading German jazz pianists.

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Radio & Podcasts

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Read "Music from Ledoux, Brahem, Racicot & More" reviewed by Bob Osborne


There are a wide variety of releases on offer in this collection of music. From established bands who have been around from many years to exciting new groups of musicians working together to create and develop fascinating and novel approaches to Jazz. As the show progresses we move from the conventional to the experimental. Playlist Show Intro 00:00 Ron Ledoux Quartet “A Stones Throw Away" from Views, Visions & Destinations (Self Released) 00:25 Rainer Brüninghaus “Spielraum" from ...

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As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to nuance and understatement. While guitarist John McLaughlin's high octane Mahavishnu Orchestra and keyboard player Chick Corea's guitar-centric incarnation of Return to Forever were tearing ...

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