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Björn Meyer

Björn Meyer — born in Sweden and based in Switzerland since 1996 — is acclaimed for his category-defying musicianship, expanding the sonic and expressive possibilities of the electric bass across a multitude of genres, both within and beyond its traditional role.

Initially a hobby guitarist headed for a degree in computer science, Meyer’s life changed at 18 when he first encountered the electric bass. Within five years he had completed his studies, left the world of computers, and begun touring professionally — launching a career he has pursued ever since, beginning in 1989.

Meyer’s international breakthrough came with an Afro-Cuban jazz band at the Havana Jazz Festival in 1990, followed by touring in the United States, studio work in New York, flamenco projects across Europe, and pioneering efforts to integrate electric bass into Swedish folk music. He continues to explore new depths of the instrument that has defined his artistic life.

His solo work on ECM Records has been widely praised for revealing the bass guitar’s “unheard” potential. Produced by Manfred Eicher, Provenance (2017) established a distinctive solo language grounded in resonance, texture, and spatial awareness, while Convergence (2026) further develops this approach, treating acoustic space as an integral musical partner. Meyer’s solo performances have taken him to major venues and festivals worldwide, including the Elbphilharmonie in Hamburg, Ronnie Scott’s in London, and concerts across Europe, Asia, and the Middle East.

Alongside his solo career, Meyer has built long-standing collaborations across diverse musical traditions. He has worked extensively with Tunisian oud master Anouar Brahem and has been a central figure in contemporary Swedish folk music for over three decades with Bazar Blå. He leads the intercultural ensemble Garden of Silence, co-founded the Swiss quartet NEN, and collaborates widely with artists such as Simin Tander, Tom Arthurs, Misagh Jolaee, Mahan Mirarab, Park Stickney, and others.

Meyer was a defining member of Nik Bärtsch’s Ronin, contributing to the group’s first seven albums and more than a decade of international touring, and he maintains a long-running creative partnership with Swiss composer and musician Don Li.

Awards

Current awards and schollarships include:

STIM (SE - 2025)

Swiss Music Prize (CH - 2019)

Canton Bern Music Prize (CH - 2018)

Gear

MTD 635 Six string Electric Bass Guitar - travelling together since 1996

Acoustic Bass Guitar by Richard Rolf

Bass Mandola by Christer Ådin

Metric Halo ULN2 / 2882 3D - Preamp / Interface

Macbook running Plogue Bidule ..


Tags

8
Album Review

Simin Tander: The Wind

Read "The Wind" reviewed by Ian Patterson


A journey of progression and discovery might best describe singer Simin Tander's musical evolution. From the outset, with her debut album Wagma (Neuklang Records, 2011), the German-Afghan singer was already stretching the boundaries of jazz, displaying a deeply personal approach to vocal improvisation and forging a sound that remains elusive. With Where Water Travels Home (Jazzhaus Records, 2014), Tander began to explore her Afghan roots, singing Afghan poems in her father's native Pashto--an exploration she continued on Unfading (Jazzhaus Records, ...

10
Album Review

Simin Tander: Unfading

Read "Unfading" reviewed by Henning Bolte


The newly formed quartet of German-Afghani vocalist Simin Tander with Swiss-Swedish electric bass guitarist Björn Meyer, Tunisian violinist Jasser Haj Youssef and Swiss drummer Samuel Rohrer from Berlin is a remarkable force field of igniting, merging and amplifying energies, temperaments and temperatures. Tander herself has provided 12 compositions here and three times her own lyrics as a mature mark of class. Tander's voice fluctuates between confidence and yearning, joy and grief, and oriental and occidental spheres. Her singing ...

7
Album Review

Simin Tander: Unfading

Read "Unfading" reviewed by Ian Patterson


Simin Tander's evolution has been fascinating to behold since her impressive debut Wagma (Neuklang Records, 2011), which featured pianist Jeroen van Vliet, bassist Cord Heineking and Etienne Nillesen on drums. The German/Afghan singer's whispered gravitas and keening lyricism on jazz-filtered chanson, Latin American balladry and her poetic originals was captivating enough, but her non-syllabic vocal improvisations signalled an original artist, unbound by convention. That same line-up delivered the even stronger Where Water Travels Home (Jazzhaus Records, 2014), with Tander expanding ...

37
Album Review

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Karl Ackermann


Bassist Björn Meyer strongly believes that there are multiple functions for bass. Born just outside of Stockholm, he started out playing piano and some guitar but when he randomly picked up a bass, he realized that he had found his instrument. Self-taught, he had been inspired by the diverse styles of Marcus Miller and Jaco Pastorius. Meyer came to prominence playing a style called Trip Folk with the Swedish group Bazar Blå and with the jazz-oriented European trio featuring reed ...

10
Album Review

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Geno Thackara


From the fact that his best-known role consisted of a decade in Nik Bartsch's Ronin (not to ignore his other style-bending collaborations either), it's already clear that Bjorn Meyer isn't interested in what a bass or bassist is normally supposed to do. In keeping with that attitude, his solo debut puts his low-end string work to different uses on practically each track. Playing with sound is the real game, and the instrument is a sonically rich means toward that end. ...

19
Album Review

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Mark Sullivan


Swedish electric bass guitarist Björn Meyer has worked with Persian harpist-singer Asita Hamidi (the program is dedicated to her memory), Swedish nyckelharpa player Johan Hedin and Tunisian oud master Anouar Brahem, and was a member of Nik Bärtsch's Ronin for a decade, often filling a lead instrument role. So he has a history of fitting his electronic instrument into normally acoustic environments, and has created a distinctive voice, which is showcased in this solo album--the first ECM release devoted to ...

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Press on Convergence (ECM - 2026)

“There are few bass players working with the breadth, scope, energy and beauty of Björn Meyer.”

“At 60, Meyer is in total control of his art, presenting this music with soul, intelligence, a tinge of mischief and a barrelful of love.” – Frank Alkyer, DownBeat

"His ever-deepening attunement to space becomes the true subject here." - Tyran Grillo, ECM Reviews

Press on Provenance (ECM - 2017)
“The album is often stunningly beautiful; bittersweet tones and deeply affecting melodies brought to life with Meyer's unique guitar-like use of the bass. Highly recommended.” - Karl Ackermann, All About Jazz

Read more

Bill Frisell
guitar, electric
Charlie Haden
bass, acoustic
Allan Holdsworth
guitar, electric
Carles Benavent
bass, electric
Skuli Sverrisson
bass, electric
Sebastien Pittet
bass, electric

Photos

Concerts

May 14 Thu
Victoria Hall
Victoria Hall
Genève, Switzerland

Tickets

Music

Recordings: As Leader | As Sideperson

Convergence

ECM Records
2026

buy

The Wind

Jazzland Recordings
2025

buy

Unfading

Jazzhaus Records
2020

buy

Provenance

ECM Records
2017

buy

Gravity

From: Convergence
By Björn Meyer

Videos

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