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Jonathan Starks
Gear
2 Gretsch Catalina Club kits and various cymbals from Zildjian and Sabian plus hybrid cymbals I've made myself.
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Kevin Sun: Kevin Sun, I.
by Dan McClenaghan
New York-based saxophonist Kevin Sun went deep into the concept of memory in his The Sustain of Memory (2020) and The Depths of Memory (2023), both on his Endectopmorph Records. The first half of his 2026 project, Kevin Sun, I goes deep into...Kevin Sun? Sun takes his inspiration from seemingly everywhere: video games, sitting on hold waiting for service from the IRS phone system (track 6, “Hold Music"), John Coltrane ( track 1, “Go In"), Ryuichi Sakamoto, heavy ...
Continue ReadingPhillip Golub: Partisan Ship
by Mike Jurkovic
In a lot off ways, it is a game of catch-up listening to Brooklyn pianist/improvisor/composer Phillip Golub once he kick-starts the oddly titled Partisan Ship into high gear with “Loyalty Oath," a piece of mad musical fiction that holds attention in place with its octopi rhythms and runaway melodies rushing in all at once. Partisan Ship is oddly titled because Golub, an unapologetic polymath far out on the progressive spectrum, and his juiced and jazzed up cohorts--clarinetist and ...
Continue ReadingSimon Hanes: Gargantua
by Mark Corroto
Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries dissolve and meaning becomes fluid. Hanes both affirms and challenges that premise in this sprawling, provocative work. Gargantua is written for an ...
Continue ReadingAlbum Review
Simon Hanes: Gargantua
by Vincenzo Roggero
Tre batterie, tre bassi elettrici, tre tromboni, tre corni francesi e tre voci, questo l'ensemble che mette in scena Gargantua, album proveniente dalla sempre più benemerita Pyroclastic Records. Inusuale, sorprendente, bizzarra strumentazione? Niente affatto, se in cabina di regia siede Simon Hanes, visionario artista, californiano di nascita ma residente a Brooklyn, che miscela le più disparate suggestioni musicali--siano esse polifonie rinascimentali, hard rock, noise, minimalismo, avant jazz, o colonne sonore italiane anni sessanta/settanta--con sorprendente nonchalance e altrettanto sorprendenti risultati.
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Music
The Number of the Beast is 666
From: GargantuaBy Jonathan Starks
Doors
From: BalanceBy Jonathan Starks
Videos
Jonathan Starks
Instrument: Drums
Born: December 17, 1995
