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Clark Sommers

Clark Sommers is a Grammy Award winning bassist steeped in the jazz tradition. Sommers, born September 7th, 1977, raised in Lake Forest, Illinois, is an artist dedicated to cultivating his own unique sound by expanding on the work of past masters while keeping an ear towards the future. Over the last 15 years Clark has performed all over the world and is featured on more than 40 albums with renowned artists such as Kurt Elling, Cedar Walton, Ernie Watts, The Mighty Blue Kings, Marilyn McCoo, Marvin Hamlisch, Kevin Mahogany, Peter Bernstein, Michael Weiss, Ira Sullivan, Frank Wess and Charles McPherson among others. ”Clark Sommers rings true and honest in tone. The golden color pours a solid foundation to the timber of the group.” – All About Jazz.

Clark began his musical career in 1990 when his parents bought him a drum set for Christmas. He made the switch to electric bass when his seventh grade buddies formed a rock band that didn’t have a bassist. Only after hearing the slinky bass lines on Led Zeppelin and James Brown records did he realize the power of bass in music. Early in high school Clark had the opportunity to study with James Cammack; long time bassist of the iconic pianist Ahmad Jamal. “I learned so much from Jim. He had a definitive personality on the bass…it was like he was speaking through the instrument, really communicating. He had an infectious groove that was undeniable. He taught me the role of the bass and how paramount it was in every musical context.” Six months after intense study with Cammack, Clark was playing with local musicians more than twice his age. Shortly after that he made the transition to the upright-bass and began spending his lunch hour practicing on a school bass in the orchestra room. By his junior year, Clark was playing jazz at clubs, private parties and restaurants throughout the suburbs of Chicago. Occasionally, Cammack would let Clark sit in on his gigs with some of Chicago’s finest musicians. During his senior year in high school, Clark was chosen as the bassist for the Midwest Grammy band and was nominated for the All-American Grammy band.

After high school Sommers enrolled at DePaul University in Chicago where he quickly began playing around town with many older, professional musicians. “Being an aspiring bassist at that particular time in Chicago offered so many opportunities for growth. One night I’d play jazz. The next night I’d play with a singer-songwriter. The next night, American roots music or a Latin Folk band…it was all music to me. There was so much work and I was hungry to play as much as I possibly could.” In addition to studying bass with Larry Gray at DePaul, Clark was mentored by another of Chicago’s great bassists, Kelly Sill. “Kelly had a profound effect on how I listened to music and his truly original style of playing really influenced the way I play. He encouraged a deeper investigation in to my own way of accompanying a band by being yself. He also taught me a lot about piano harmony.” At that time Clark was fortunate to play regularly with the likes of saxophone giant Lin Hallidy and Chicago piano greats: Jodie Christian and Ron Perrillo. “It was the first time I had the chance to play with authentic jazz musicians on that level-it was the real thing. Playing with Ron illustrated a world of possibilities for me in music. I would say that playing with him was the closest ‘spiritual’ experience I had playing music. He also profoundly influenced my writing” Due to a busy gig schedule Sommers withdrew from DePaul in June of 1997 to focus his energy exclusively on playing the bass. In late summer of 1997 Clark joined an acclaimed local rhythm and blues band called the Mighty Blue Kings and toured the U.S. and Europe for the ensuing two years.

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Album Review

Tommy Muellner: Solitary Moon

Read "Solitary Moon" reviewed by Mark Corroto


Today's hipster jazz musicians do not play standards. Perhaps “poseur" is a better description for artists who deliberately eschew classic compositions. Yet standards and familiar songs serve an important purpose in jazz: they provide a shared musical language, a lingua franca through which musicians communicate and listeners can measure the quality of an interpretation. Maybe, just maybe, the poseurs avoid standards because they don't want to be found out. Chicago pianist Tommy Muellner is no poseur. In fact, ...

16

Album Review

Clark Sommers: WaBaSH

Read "WaBaSH" reviewed by Jack Bowers


Wabash is the name of a river in Indiana and Illinois, an avenue in Chicago and, what is most relevant to this recording, the name of the quartet that performs on the avenue, a respectable group led by bassist Clark Sommers. Sommers' WaBaSH ensemble varies from the quartet norm in that two of its members, John Wojciechowski and Geof Bradfield, are saxophonists (who double on flute and bass clarinet, respectively). The group's fourth member is drummer Dana Hall. ...

2

Album Review

Clark Sommers: WaBaSH

Read "WaBaSH" reviewed by Troy Dostert


An integral component of the Chicago-based jazz community, bassist Clark Sommers has honed his craft as a sideman with everyone from Kurt Elling to Jon Irabagon, with a multifaceted fluency that extends from mainstream jazz to more adventurous projects. And from time to time he also gets to flex as a leader, starting with his debut effort in 2013, Ba(SH) (Origin Records), a recording which documented his long-standing trio with fellow Chicago stalwarts Geof Bradfield on saxophone and Dana Hall ...

14

Album Review

Dana Hall/Clark Sommers/Chris Madsen: Threefold

Read "Threefold" reviewed by Jack Bowers


Threefold, the second recording by the Chicago-based chordless trio of saxophonist Chris Madsen, bassist Clark Sommers and drummer Dana Hall, might well be called three-of-a-mind, as that is how closely the threesome works together on this album of original music written especially for the ensemble by Madsen and Sommers. While Madsen's voice, on tenor or soprano sax, is inherently the more outspoken of the three, he is shadowed and supported every step of the way by Sommers' and ...

Album Review

Jon Irabagon: Someone to Someone

Read "Someone to Someone" reviewed by Stefano Merighi


Il sassofonista e compositore Jon Irabagon è un altro super virtuoso del nostro tempo: ecletttico, onnivoro musicalmente, molto prolifico. Questo recente disco presenta una formazione nuova, PlainsPeak, un quartetto convenzionale, e si offre come un caloroso omaggio alla città di Chicago, a partire dalle note di presentazione, scritte da Jon stesso, bravissimo nel comporre una guida sintetica di tutto ciò che è influente nella Windy City--dai panorami architettonici alla fisionomia culinaria, dalla centralità dell'ambiente lacustre alla intensa vita culturale e ...

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Album Review

Josh Achiron: Climbing

Read "Climbing" reviewed by Jack Bowers


On his debut album, Climbing, Chicago-based guitarist, composer and educator Joshua Achiron leads a trio of battle-tested musicians through a program that consists of seven of his original compositions and Duke Ellington's frisky “Take the Coltrane." If diversity was the goal, mission accomplished. No two tracks are comparable, and the quartet traverses a broad expanse of harmonic and rhythmic territory, touching on ballads and blues to fusion and funk. Much of what Achiron has to say is ...

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Album Review

Josh Archiron: Climbing

Read "Climbing" reviewed by Mark Corroto


Geof Bradfield, co-founder of Calligram Records along with Chad McCullough, introduces a compelling new voice from Chicago's ever-fertile jazz scene. Climbing, the debut recording by guitarist Joshua Archiron, pairs the young bandleader with a seasoned and deeply attuned rhythm section: Bradfield on tenor saxophone, bassist Clark Sommers and drummer Dana Hall. Archiron's program, seven originals plus a well-chosen standard, unfolds with striking assurance. The quartet navigates the material with a supple, unforced cohesion that belies the guitarist's newcomer ...

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Recording

Clark Sommers Releases Wabash On Calligram Records

Clark Sommers Releases Wabash On Calligram Records

Source: Calligram Records

Clark Sommers WaBaSH is the debut recording from a quartet that has, in various configurations, been one of Chicago’s most celebrated working bands for nearly two decades. Bassist Sommerstraces his connections with the other members back to the late 1990s when he met tenor saxophonist Geof Bradfield and drummer Dana Hall, building relationships that have encompassed hundreds of gigs and numerous recording projects. The WaBaSH lineup itself grew out of two groups: BaSH, Sommers’ trio with Bradfield and Hall first ...

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Music

Recordings: As Leader | As Sideperson

Climbing

Calligram Records
2026

buy

Threefold

Calligram Records
2026

buy

WaBaSH

Calligram Records
2026

buy

Solitary Moon

Calligram Records
2026

buy

Colours

Calligram Records
2026

buy

Breathe

Calligram Records
2025

buy

Tiny Miracles (at a Funeral for a Friend)

From: Someone to Someone
By Clark Sommers

Night and Day

From: Julia Danielle
By Clark Sommers

Some of the Things You Are

From: Four Windows
By Clark Sommers

Momentum

From: Urbanessence
By Clark Sommers

Little Gold Fish

From: Life in Time
By Clark Sommers

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