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Tomeka Reid
Chicago based cellist, composer and educator, Tomeka Reid has been described as "a remarkably versatile player," (Howard Reich, Chicago Tribune). Equally adept in classical and jazz contexts, Ms. Reid predominantly finds herself in experimental and improvisatory settings and composes for a wide range of instrumentation, from big band to chamber ensemble. Ms. Reid's music combines her love for groove along with freer concepts. Ms. Reid is an integral part of Dee Alexander's Evolution Ensemble, Nicole Mitchell's Black Earth Ensemble/Strings, Mike Reed's Loose Assembly, the Association for the Advancement of Creative Musicians (AACM) Great Black Music Ensemble, and co-leads the internationally recognized string trio, Hear in Now with performances in Poznan, Poland; Paris, France; Rome, Venice, Milan, Italy; Soazza, Switzerland; and in the US: Chicago, New York and Vermont. In addition to the aforementioned ensembles, Ms. Reid performs with many of today's forward thinking musicians in the world of jazz and creative music including Anthony Braxton, George Lewis, Roscoe Mitchell, Jeb Bishop, Myra Melford, Fred Lonberg-Holm, Mary Halvorson, Denis Fournier, Edward Wilkerson and Harrison Bankhead. Ms. Reid also leads her own trio featuring guitarist Matt Schneider and bassist Josh Abrams, for which she composes. Ms. Reid can be heard on numerous studio recordings. As an educator, Ms. Reid has led string improvisation workshops in Italy and the US. Most recently she co-directed the 2012 Vancouver Jazz Festival's High School Jazz Intensive. For seven years, Ms. Reid co-directed the string program at the University of Chicago's Laboratory School for students grade 5 thru 12. Ms. Reid is also an ABD doctoral candidate at the University of Illinois: Urbana-Champaign. As a composer, Ms. Reid has been commissioned by the AACM, the Chicago Jazz Festival and the Chicago Jazz Ensemble and has had several opportunities to showcase her work abroad at festivals such as Umbria Jazz, An Insolent Noise and Vignola Jazz. She has been nominated and awarded residencies for composition with the Ragdale Foundation and the 2nd Annual Make Jazz Fellowship hosted by the 18th Street Arts Organization. Ms. Reid was selected as a 2012 participant in the Jazz Composers Orchestra Institute held at the University of California: Los Angeles.
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The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

by Troy Dostert
One of the most multifaceted saxophonists to come out of the 1970s-80s jazz avant-garde, Julius Hemphill exuded both fervid power and delicate sensitivity, always with an underpinning of swing to help anchor him within the jazz tradition. While his iconic releases like Dogon A.D. (Mbari, 1972) and Flat-Out Jump Suite (Black Saint, 1980) are rightly considered classics, exemplifying Hemphill's rich harmonic sensibility and improvisational prowess, sometimes forgotten are the wonderful duet releases he recorded with one of his go-to colleagues, ...
Continue ReadingThe Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

by Mark Corroto
Let us borrow a famous tagline from the dairy industry: Got Hemphill? If not, it is time to take a closer listen. Julius Hemphill (1938-1995) was a towering figure in the creative music scenes of both St. Louis, where he co-founded the Black Artists' Group (BAG), and New York's vibrant loft jazz scene of the 1970s and '80s. At a time when Miles Davis was going electric and fusion bands were battling for airtime against the neo- conservative ...
Continue ReadingThe Hemphill String Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

by Glenn Astarita
The Hemphill Stringtet's debut album, Plays the Music of Julius Hemphill is a vibrant tribute to the late jazz composer and saxophonist Julius Hemphill (1938--1995). This string quartet, featuring violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin and cellist Tomeka Reid, reimagines Hemphill's compositions with a fresh chamber music perspective. Formed in 2022, the ensemble aims to amplify Hemphill's legacy as a pivotal Black American composer while infusing his blues-inflected jazz with improvisational flair rooted in African American traditions. ...
Continue ReadingRob Mazurek Quartet: Color Systems

by Alberto Bazzurro
In parallelo con lavori che spaziano dal solo all'orchestra, Rob Mazurek, uomo-musica ormai giunto sulla soglia dei sessanta ma non per questo meno vorace e curioso di un tempo, ci regala questo album in quartetto (e che quartetto!) imperniato su sei brani comprensivi di altrettante dediche (del resto non è una novità). La sua tromba cementa l'insieme campeggiandovi da cima a fondo, per una musica piena, vitale, ricca di spunti e continue variazioni di rotta, pur con un punto d'arrivo, ...
Continue ReadingTomeka Reid, Martin Bejerano, Roxana Amed And More

by Hobart Taylor
PlaylistBruna Black & John Finbury Nosso Cais" from Va Revelacao (Self Produced) Eric Alexander Serenade to a Cuckoo" from Timing Is Everything (Cellar Live) Nicki Parrott What The World Needs Now" from Feelin' Groovy (Arbors) Host Speaks Paul Freeman Visions of Ishwara" from Black Composers Series Volume 8 (Sony) Tomeka Reid Quartet Turning Inward / Sometimes You Just Have To Run With It" from 3+3 (Cuneiform) Host Speaks Lenny Marcus Trio Ode to Jamal" from Blackwater Sessions (Self Produced) Fay ...
Continue ReadingTomeka Reid, Isidora Edwards, Elisabeth Coudoux: Reid/Edwards/Coudoux

by Hrayr Attarian
Leave it to Relative Pitch Records' Kevin Riley's ingenuity to release a unique, live session which brought together three of the world's preeminent cellists-improvisers. The result is the provocative, captivating and simply titled Reid/Edwards/Coudoux. On it, American Tomeka Reid joins forces with Chilean Isidora Edwards, and German Elisabeth Coudoux for four multilayered conversations. Could You Imagine" opens with woody groans and resonant percussion which set an expectant mood. The overlapping angular phrases paint a dissonant and moving musical ...
Continue ReadingTomeka Reid Quartet: 3+3

by Chris May
Jazz cello has come a long way since Fred Katz's pioneering work with Chico Hamilton in the 1950s. Back then, the instrument was looked on as a novelty turn. In 2024, while still relatively avant-garde, its presence in a lineup is less exceptional. A pivotal point was American cellist Adbul Wadud's By Myself (Bishara, 1977), an album Tomeka Reid has acknowledged as an inspiration, and which may have played a part in her transition from classical music to jazz around ...
Continue ReadingJazz this week: Vijay Iyer Trio, Dianne Reeves, Tomeka Reid's Artifacts Trio, and more

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St. Louis Jazz Notes by Dean Minderman
It's going to be a very busy few days for jazz and creative music in St. Louis, with several noteworthy touring headliners in town, plus the beginning of our town's annual cornucopia of holiday-themed performances from both visiting and local musicians. Let's go to the highlights... Friday, December 2 Singer Dianne Reeves returns to St. Louis for the first time since 2013 with a holiday-themed concert at the Touhill Performing Arts Center. Reeves will offer her interpretations of seasonal favorites ...
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StLJN Saturday Video Showcase: Spotlight on Tomeka Reid

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St. Louis Jazz Notes by Dean Minderman
This week, let's get acquainted via video with the Chicago-based cellist and composer Tomeka Reid, who will perform in a concert presented by New Music Circle next Friday, December 3 at Joe's Cafe. Reid, who grew up in Maryland near Washington DC and is now in her late 30s, is an active participant in Chicago's busy jazz and improvised music scene, moving freely between various musical projects of her own and those led by others. She also has significant classical ...
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Rudi Records new release: "Hear in Now" by Mazz Swift, Tomeka Reid and Silvia Bolognesi

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Massimo Iudicone
Hear in Now (Rudi Records, 2012) Mazz Swift: violin Tomeka Reid: cello Silvia Bolognesi: doublebass If the same piece of music is played multiple times it will take on a new life at each performance. When improvisation is added the music becomes new music that did not exist before. The music I speak about is the music coming from HEAR in NOW," the trio consisting of Mazz Swift on violin, Tomeka Reid on cello ...
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Anticipation
From: The Last Quiet PlaceBy Tomeka Reid
Anticipation
From: The Last Quiet PlaceBy Tomeka Reid
Combustion 1
From: Smoke Gets In Your EyesBy Tomeka Reid