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Lloyd Swanton
Alister Spence Trio: Gather
by Glenn Astarita
Alister Spence Trio's Gather arrives like a mischievous breeze, stirring the leaves of modern jazz with a blend of precision and playful abandon. This Australian ensemble--Alister Spence on piano, Lloyd Swanton on double bass, and Toby Hall on drums--delivers an album that feels like a conversation among old friends who happen to be virtuosos. The eight tracks weave a tapestry of intricate melodies, rhythmic surprises and moments of quiet introspection, each piece a small universe unto itself. Spence's ...
Continue ReadingAlister Spence Trio: Gather
by Dan McClenaghan
Australian pianist Alister Spence is a master collaborator. He teams up with fellow keyboardist Satoko Fujii for various recording and live show efforts, and also with pianist Myra Melford and saxophonist Raymond McDonald. In addition, he is a founding member of the group Wanderlust, and he collaborates with guitarist Ed Kuepper in the Asteroid Ekosystem ensemble. Gather, released under the Alister Spence Trio moniker, features eight of Spence's original compositions, along with his piano artistry, and with improvisations ...
Continue ReadingAlister Spence Trio With Ed Kuepper: Asteroid Ekosystem
by Dan McClenaghan
Australian pianist/keyboardist Alister Spence—with his avant-garde credibility established via free-roaming work with his trio and collaborations with pianist/composer/bandleader Satoko Fujii—takes another let's-see-what-happens exploratory step in a collaboration with guitarist Ed Kuepper on the double CD outing, Asteroid Ekosystems, a sonic trek into the extraterrestrial area of space debris between Mars and Jupiter. Or not. Maybe the title was tagged on, after the two day recording sessions, after an “off-the-cuff" show in Sydney in March of 2018. Nevertheless, that ...
Continue ReadingThe Necks: Three
by Mike Jurkovic
With their stubbornly spiky, hold-onto-your-hat mindset firmly rooted, a high fever runs wild on Three, The Necks' twenty-first release in its thirty-three year, unhindered-by-genre career. It starts like most of the trio's existential, kaleidoscopic excursions do: some minimalist point of blurred melodic frenzy is acted upon and the rest becomes an amalgam of theory and system... jazz, rock, industrial, whatever suits the moment. It can be irresponsibly reckless, remotely ambient, soulfully rewarding, cantankerous, glaringly indulgent or plain brilliant at any ...
Continue ReadingThe Necks: Three
by Mark Sullivan
Live performances by Australian free-improvising trio The Necks typically take the form of a single, slowly growing and morphing mass of sound. On recordings the musicians give themselves permission to sculpt the sound, so it is not a real-time document. Nevertheless their two previous albums Vertigo (Northern Spy Records, 2015) and Body (Northern Spy Records, 2018) both presented a single long track apiece, paralleling their live practice. This time the program is broken into three parts, each with its own ...
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