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Alvin Cobb Jr.

A native of metropolitan Atlanta, Alvin Cobb, Jr., is a drummer, songwriter/composer, and photographer currently based in Chicago. In addition to Atlanta’s urban music scene, his earliest influences consisted of his father’s eclectic record collection, the diverse marching band tradition of southern drum corps and HBCU’s, and the a cappella gospel singing he grew up hearing on Sunday mornings. Alvin went on to study percussion under Leon Anderson, Jr., and Willie Jones III, at Florida State University and Northwestern University respectively. He is a graduate of Florida State University (B.A. in Music Performance and Jazz Studies, 2013) and Northwestern University (M.M. in Jazz Studies, 2015).  

Alvin first gained national attention, in 2013, when he directed and performed in a multi-media tribute to legendary percussionist Max Roach and his 1960 album, We Insist! Max Roach’s Freedom Now Suite. National Endowment for the Arts (NEA) Jazz Master Jason Marsalis, who was in attendance, published a review of the concert, stating, “A lot of hard work went into putting on one of the greatest recitals I’ve ever seen.” As a result of this rave review, Alvin’s first post-collegiate professional opportunity was with trumpeter and veteran Jazz at Lincoln Center Orchestra member Marcus Printup and his quartet.   

Since moving to Chicago in 2013, Alvin has continued to advance his resume. In addition to leading his own ensemble, he has worked with countless jazz artists, including Victor Goines, Sherman Irby, Patricia Barber, Sarah Marie Young, and Dee Alexander. He has dazzled audiences on notable stages across the country. Beyond Jazz, Alvin has worked with artists such as Nola Adé, Ogi, and Grammy-Award winning artist Chance the Rapper. He has been an artist-in-residence through The Pivot Arts Program at Loyola University-Chicago and The Cliff Dwellers.

He is the leader of the Alvin Cobb, Jr. Trio with bassist/vocalist Katie Ernst and pianist Julius Tucker. The group formed during the COVID-19 pandemic in order to independently produce livestream concerts that would help raise funds for grassroot charity organizations based in Chicago. Since 2020, the trio has been featured on various publications and radio stations including NPR, held residencies at Chicago area music venues while also touring nationally, and was nominated for Best Jazz Ensemble in 2022 by the Chicago Reader. Also in 2022, Alvin began composing and performing, accompanied by this trio, new original film scores to the existing silent film works of legendary Black film pioneer Oscar Micheaux (Chicago Tribune Article). Alongside these new feature film scores, the trio released its critically-acclaimed debut album, “You’ll Need This Later,“ showcasing Alvin’s original compositions, in May 2024. This album earned features on NPR, Worldwide FM, JazzFM UK, and made Bandcamp Weekly’s “Best Albums of 2024“ list. Alvin’s highly anticipated sophomore album is set to be released in July 2026.

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Album Review

Alvin Cobb Jr: You'll Need This Later

Read "You'll Need This Later" reviewed by Hrayr Attarian


Atlanta-native, Chicago-based drummer Alvin Cobb, Jr puts his heart and soul into his debut You'll Need This Later. Using a melange of acoustic and electronic instrumentation as well as spoken word and singing, Cobb crafts an autobiographical album featuring several of Chicago's brightest rising stars. Cobb crafted these 13 originals on the basis of his journal entries, both written and recorded. “Before You Go" features vocalist Nola Adé whose chant floats over Cobb's rumbling polyrhythms. Pianist Julius Tucker's ...

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Album Review

Nathan Zaporski: Live Recitation

Read "Live Recitation" reviewed by Jerome Wilson


Nathan Zaporski is a composer and alto saxophonist from the Detroit area with a hard, sharp edge to his playing in the tradition of Phil Woods and Jackie McLean. On this live recording, he shows his wares fronting a sympathetic quartet. Zaporski's sound is so speedy and relentless on the opening duo of Thelonious Monk's “Rhythm-a-ning" and his own composition “Wild Bill" he sounds like he's in an endurance contest. However, he maintains a consistent sense of melody and feeling ...

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