Mose Allison was born in the Mississippi Delta on his grandfathers farm near the village of Tippo. At five he discovered he could play the piano by ear and began picking out blues and boogie tunes he heard on the local jukebox. In high school he listened to the music of Louis Armstrong, Fats Waller, Duke Ellington, Louis Jordan, and his prime inspiration, Nat Cole of the King Cole Trio. He played trumpet in the marching and dance bands and started writing his own songs.
After a year at the University of Mississippi, he went to the Army in l946, playing in the Army Band in Colorado Springs and performing with accomplished musicians from around the country in small groups at NCO and Officers clubs. Returning to Ole Miss he joined the dance band as arranger, piano and trumpet player, but shortly left to form his own trio, playing piano and singing in a style heavily influenced by Nat Cole, Louis Jordan and Erroll Garner. After a year on the road, Mose married, returned to college at Louisiana State University and graduated in 1952 with a BA in English and Philosophy.
He worked in nightclubs throughout the Southeast and West, blending the raw blues of his childhood with modern pianistic influences of John Lewis, Thelonius Monk and Al Haig. His vocal style was influenced by blues singers Percy Mayfield and Charles Brown. Arriving in New York in 1956, Mose received encouragement, work and a record date from Al Cohn. In 1957 he secured his own first recording contract with Prestige Records, recording Back Country Suite, a collection of pieces evoking the Mississippi Delta, released to unanimous critical acclaim. Mose went on to play and record with jazz greats Stan Getz, Al Cohn, Zoot Sims and Gerry Mulligan as well as with his own Mose Allison Trio.
Mose continued working with his own trio, writing and singing his own songs. His songs are a fusion of rustic blues and jazz, embellished with profound and often humorous lyrics. As a pianist, while admiring jazz masters Bud Powell and Lenny Tristano, he also learned from composers such as Bartok, Ives, Hindemith and Ruggles. The fusing of these diverse elements into a cohesive performance continues today. A biography, One Mans Blues: The Life and Music of Mose Allison, written by Patti Jones, was published in 1995 by Quartet Books Ltd. Of London.