By the time Michael Bloomfield joined the Butterfield Blues Band in 1965 and thus played his way into blues and rock history, he was already an accomplished guitarist in the mold of his heroes Jimmie Rodgers, B.B.King, T-Bone Walker,etc. and could hold his own in the Southside Chicago clubs where he made his bones. He introduced the blues to a whole new generation, and opened the doors for the acknowledged masters to gain respect and recognition for their music. He always gave the original bluesmen their due and though he has slipped into the cracks of musical history, his contribution to the popularity and acceptance blues guitar is immense.
Michael Bernard Bloomfield was born July 28, 1943, in Chicago, Illinois. An indifferent student and self-described social outcast, Bloomfield immersed himself in the multi- cultural music world that existed in Chicago in the 1950s. He got his first guitar at age 13. Initially attracted to the roots-rock sound of Elvis Presley and Scotty Moore, Bloomfield soon discovered the electrified big-city blues music indigenous to Chicago. At the age of 14 the exuberant guitar wunderkind began to visit the blues clubs on Chicago’s South Side with friend Roy Ruby in search of his new heroes: players such as Muddy Waters, Otis Spann, Howling Wolf, and Magic Sam. Not content with viewing the scene from the audience, Bloomfield was known to leap onto the stage, asking if he could sit in as he simultaneously plugged in his guitar and began playing riffs.
Bloomfield was quickly accepted on the South Side, as much for his ability as for the audiences' appreciation of the novelty of seeing a young white player in a part of town where few whites were seen. Bloomfield soon discovered a group of like-minded outcasts. Young white players such as Paul Butterfield, Nick Gravenites, Charlie Musselwhite, and Elvin Bishop were also establishing themselves as fans who could hold their own with established bluesmen, many of whom were old enough to be their fathers.
In addition to playing with the established stars of the day, Bloomfield began to search out older, forgotten bluesmen, playing and recording with Sleepy John Estes, Yank Rachell, Little Brother Montgomery and Big Joe Williams, among others. By this time he was managing a Chicago folk music club, the Fickle Pickle, and often hired older acoustic blues players for the Tuesday night blues sessions. Big Joe Williams memorialized those times in the song “Pick A Pickle” with the line “You know Mike Bloomfield...will always treat you right...come to the Pickle, every Tuesday night.” Bloomfield’s relationship with Big Joe Williams is documented in “Me And Big Joe,” a moving short story detailing Bloomfield’s adventures on the road with Williams.