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Lennart Åberg
Okay Temiz: Okay Temiz’s Oriental Wind Live at Montreux Jazz Festival 1982
by Matthew Hutchison
The six-plus decade resume of Okay Temiz is a landscape snapshot of someone who made the most of their professional opportunities from different angles. A sliver of the performance side has brought him partnerships with American jazz giants Don Cherry, Dexter Gordon, Art Taylor and Clark Terry, along with an array of established European and South African peers. Another angle of his creative side stems from Temiz's creation of his percussion instruments to incorporate in a standard kit, including his ...
read moreTerje Rypdal: Odyssey: In Studio and In Concert
by John Kelman
To achieve confluence, an artist must first demonstrate multiplicity. With the benefit of hindsight, the meeting of disparate concepts might appear inevitable when reassessing a decades-long career, but few artists actually possess not only the building blocks but the intuition and acumen to achieve what is, in Sanskrit, called Sangam. That ECM has two recordings using that very name—Trygve Seim's sublime 2004 meshing of rigorous form and controlled freedom, and Charles Lloyd's similarly successful 2006 marriage of cross-cultural concerns--is but ...
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