Violinist, composer, and producer Jeff Gauthier has worked with a wide range of musicians in a variety of creative contexts in a career that has spanned over 40 years. As an improvising violinist, he has performed and recorded with Yusef Lateef & Adam Rudolph on the album The World At Peace for Meta Records, The Alex Cline Ensemble on albums for ECM & Cryptogramophone, and Nels Cline's Lovers project. His own ensemble, the Jeff Gauthier Goatette has recorded six CDs including Internal Memo and The Present for Nine Winds Records, Mask, One and the Same, House of Return and Open Source for Cryptogramophone. Mask was nominated for a 2002 AFIM Indie Award. He has also performed in ensembles with bassist Mark Dresser (The Banquet) and drummer Gregg Bendian (Bone Structure). As a founding member with Nels Cline, Alex Cline and Eric von Essen of the ensemble Quartet Music, a creative presence in Los Angeles for 12 years, He has also been named a "Rising Star" several times as both violinist and Producer in the Downbeat Critic's Poll. Gauthier has worked with such luminaries as Alan Broadbent, Nels Cline, Mark Dresser, Peter Erskine, Jimmy Rowles, Stacy Rowles, Alan Pasqua, Taylor Ho-Bynum, Todd Sickafoose and many others recording CDs for Cryptogramophone, Delos and Nine Winds Records. As a classical violinist Gauthier has performed with the Los Angeles Chamber Orchestra, Los Angeles Music Center Opera, Long Beach Symphony, the Oregon Bach Festival and the Carmel Bach Festival. He performed on the 2000 Grammy Award winning CD Credo, by Kristoph Penderecki with the Oregon Bach Festival Orchestra and Chorus. He has also performed on countless films and TV shows, including almost every Star Trek film and TV show spin-off known to man. Gauthier is a graduate of California Institute of the Arts.
Gauthier and his wife, cellist Maggie Parkins will release "Song and Call" by The Smudges on Cryptogramophone Records beginning February 18, 2022.
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"Gauthier's compositions are quirky and offbeat, bubbling with unexpected rhythms and occasional warm
lyricism." —L.A. Times