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George V. Johnson, Jr.

George V. Johnson has had an incredible journey leading up to this recording and I have been a witness to the ride since the beginning in the 1970s. The title “Your Majesty” comes from John Malachi who mentored George when he was getting started with his vocalese. Not hip to John Malachi? If your listening to the music of George Johnson, you probably are, but just in case…

John Malachi was born in North Carolina but grew up in Washington, DC. As a teenager he and fellow pianist Billy Taylor would check out Jelly Roll Morton at the Jungle Inn on U Street. One of his closest friends was Thomas Barrett, my wife Sondra’s dad. John’s talent was such that Billy Eckstine recruited him to be the pianist in the band he was forming in 1944 which included Charlie Parker, Dizzy Gillespie, Dexter Gordon, Gene Ammons, Art Blakey and Sarah Vaughan,. John gave her the name "Sassy".

He was an integral participant in the creation of bebop. I would be the fly on the wall listening to stories about Mr. B’s band and the exploits of Diz, Bird and Dex whenever Tom Barrett and John Malachi would get together.

Around 1974 guitarist Bill Harris opened a club in Northeast Washington DC called Pigfoot where John would preside as the pianist to accompany such artists as Kenny Burrell, Al Hibbler, Arthur Prysock, Milton "Smitty" Smith, Clea Bradford, Frank Foster, Billy Mitchell, Leon Thomas and many more. He conducted workshops for aspiring musicians and vocalists. His prize student was a Metro bus driver named George V. Johnson Jr.

I was broadcasting the New Thing Root Music Show on WAMU at that time and lived in the neighborhood of Pigfoot. Shirley Horn lived a few blocks away on Lawrence Street and Andrew White down South Dakota Avenue. Bill Harris’s club was a center of jazz activity and George was in the midst of it. John introduced him to his close friends such as Art Blakey, Lou Donaldson and Eddie Jefferson. He would tape interviews that I did on the air with such prominent musicians as Dexter Gordon and others.

George and John developed such a close friendship that he introduced him as Your Majesty George V Johnson Jr "Opening Night" of his debut professional concert at the Pigfoot.

George made it his mantra and thus the title for this album.

Under John’s tutelage George was working on what is called in jazz circles vocalese, singing a lyric to what was originally an improvised solo by an instrumentalist. The father of vocalese is Eddie Jefferson who wrote and sang lyrics to James Moody’s instrumental version of “I’m In The Mood For Love,” later known as “Moody’s Mood For Love.” King Pleasure recorded and had a hit with it, but Jefferson gained recognition by recording and touring with Moody. Other singers who have utilized vocalese include Lambert, Hendricks & Ross and Manhattan Transfer. Jefferson performed frequently with Richie Cole in DC in the 1970s and when he heard George Johnson perform he was so impressed with his vocalese that he tagged him “Next in Line.”

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Album Review

George V Johnson, Jr.: Next In Line!

Read "Next In Line!" reviewed by Craig Jolley

A student of the late Eddie Jefferson, Washington, D.C.-based vocalist George V. Johnson takes his cue from Jefferson's later (1970's) sound with a repertoire drawn largely from the contemporaneous Miles Davis book. The versatile Johnson whose resume includes acting, teaching, and producing wrote lyrics (mainly vocalese) for five of the tunes. “Freedom Jazz Dance," the most evolved performance, includes scat singing, a long tap dance (by Prat), Leon Thomas effects, and an abstraction of “Shortnin' Bread."Johnson adapts words ...

Album Review

George V. Johnson, Jr.: Next In Line!

Read "Next In Line!" reviewed by AAJ Staff

George V. Johnson Jr is a talented young jazz vocalist that specializes in a brand of jazz singing popularized most notably by Jon Hendricks and Eddie Jefferson called vocalese. In fact, the title of this CD, Next in Line brings to bear the very words uttered by Eddie Jefferson (heard in the opening seconds of the disc) proclaiming his protege' George V. Johnson as the successor to the throne. On this CD, Johnson sings with exuberance on a number of ...

Album Review

George V. Johnson, Jr.: Next In Line!

Read "Next In Line!" reviewed by AAJ Staff

Just when you wonder what will happen to the art of vocalese, other than its sustenance by a few artists like Kurt Elling, George V. Johnson, Jr. sneaks onto the scene with his own self-produced CD that begs for attention. And deservedly so. A student of legendary vocalese singer Eddie Jefferson, Johnson for whatever reason has waited twenty-something years to come out of his cocoon and spread his wings. A resident of south Jersey, and no doubt known ...

Album Review

George V. Johnson, Jr.: Next In Line!

Read "Next In Line!" reviewed by Jim Santella

Following in the footsteps of Eddie Jefferson, vocalese singer George Johnson brings us a program of familiar bop tunes with original ideas for his solo debut. On the opening track, Jefferson’s voice can be heard introducing Johnson as “one of my students... from Washington DC. Next in line."Information at trentonjazz.com indicates that Johnson got his start thirty years ago with pianist John Malachi. He later worked regularly with James Moody, performed in musical shows such as Raisin when ...

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Imagine listening to a seasoned jazz musician rip into a bebop solo so sizzling and smooth it makes your senses tingle. Close your eyes and play along. Try and picture the sweat bouncing off the performer like the notes that leap through the air. See if you can hear the mesmerizing melodies go up and down, bringing you through joy and sadness, taking your emotions on a sensory experience unlike any other. Now picture that musician and his beloved instrument: His voice. That's the art of vocalese, and that's what native D.C. son George V Johnson Jr. has been doing for over 40 years. Working as a performer, a D.C. Metrobus driver and a New Jersey train conductor at different times throughout his life, Johnson's latest work has taken the form of pedagogy. He has become a teacher and mentor to both aspiring and established vocalists from around the area, and most recently he has lent his years of experience and talent to AU, leading the AU jazz vocal ensemble. ~~By Ben Lozovsky

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Primary Instrument




Willing to teach

Intermediate to advanced

Clinic/Workshop Information


Available on Skype: http://www.skype.com Skype contact: [email protected]


. History of Jazz Vocalese

. The Art of Writing & Singing Good Lyrics

. Demonstration, Vocal Drills

. Importance of Diction, Rhythm, Presentation & Intonation

. Class Participation / Breakdown of Classic Solo's

. Class Reciting, Speaking, Singing & Writing original lyrics

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Recordings: As Leader | As Sideperson

Walk Spirit Talk...

Your Majesty Records


Next In Line!

Your Majesty Records




Ornette Coleman
saxophone, alto
Woody Herman
band / ensemble / orchestra
Cliff Lyons
saxophone, alto

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