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Charles Altura
Terence Blanchard featuring The E-Collective: Absence
by Chris May
Trumpeter Terence Blanchard and the E-Collective's Absence is dedicated to saxophonist and composer Wayne Shorter, who for health reasons has been obliged to retire from performing, at least temporarily. Some people celebrating their 88th birthday, as Shorter did on August 25 2021, might not welcome being the dedicatee of an album with such a title. They might consider a more appropriate choice of words to be Presence or even I'm Feeling Fine Thanks For Asking. But you never know with ...
read moreTobias Meinhart: The Painter
by Friedrich Kunzmann
During the past decade of working the jazz clubs of New York, German tenor saxophonist Tobias Meinhart has soaked up every inch of the musical tradition he started pursuing as a drummer in Bavaria in his early teens. A keen ear for melodic development, a gift for harmonic oversight and the whims for rhythmic intricacy already graced the saxophonist's last outing, Berlin People (Sunnyside, 2018), featuring the distinctive playing of Kurt Rosenwinkel. On The Painter, however, Meinhart has now also ...
read moreRemy Le Boeuf: Light as a Word
by Jordan Penney
Light as a Word is the debut full-length album from saxophonist and composer Remy Le Boeuf as a leader, and it moves fluidly in liminal spaces. Its format and its performersa sextet that includes piano, guitar, double bass, drums and tenor and alto saxare firmly in a jazz idiom. But the songs themselves are more through-composed than is typical for a group such as this, and Le Boeuf's approach as a bandleader seems to involve carefully creating space for each ...
read moreJure Pukl: Broken Circles
by Friedrich Kunzmann
Slovenian tenor saxophonist Jure Pukl follows up his quartet outings Hybrid (Whirlwind Recordings 2017) and Doubtless (Whirlwind Recordings 2018) with an album that signals a clear change of direction. On Broken Circles Pukl swaps his saxophonist wife Melissa Aldana for Joel Ross on vibraphone and adds guitarist Charles Altura for some lyrical comping, on top of a well-versed rhythm section. As a direct result, harmony and flow arise more implicitly, giving Pukl the ideal environment to perform long stretches of ...
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