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Bruno Chevillon
Bruno Chevillon is a French classically trained double bass player whose approach to his instrument is fundamentally sculptural and conceptual.
He treats the double bass as a source of sound materials, where structure and texture are as important as melody or harmony, proving that bass can also be a source of poetic abstraction.
He has played with modern jazz musicians like Michel Portal, Louis Sclavis, Paul Motian, Marc Ducret, Tim Berne, and Daniel Humair, and the prog-rock-meets-fusion quartet Caravaggio.
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Michel Portal: MP85
by Giuseppe Segala
Alla tenera età di ottantacinque anni, compiuti lo scorso novembre, Michel Portal è ancora in grado di stupire e incantare con le sue invenzioni musicali. Anche se, naturalmente, i suoi tour di concerti non sono più molto frequenti sulla scena internazionale, questo MP85 è eloquente nella conferma che il carattere, la vitalità creativa, la sostanza musicale dell'artista sono ancora in pieno fervore. Nel corso di una carriera che ormai supera i sessant'anni, Portal si è cimentato da protagonista in tutti ...
Continue ReadingBruno Chevillon and Tim Berne, "Old and Unwise": Open Contrabass-Alto Sax Duets
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Gapplegate Music Review by Grego Edwards
Freedom. Free-dom. What is it? And how do you get it? In music the word denotes something specific. At least in jazz. It means in part starting out a musical performance with the idea that what is going to happen will happen because the players spontaneously put their improvised parts together without a great deal of overt deliberation. They also, to whatever extent. play what they please, without someone dictating to them in some concrete sense. So it could be ...
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