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Bill Smith

William Overton Smith was an American clarinetist and composer. He worked extensively in modern classical music, Third Stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s. Smith frequently recorded jazz under the name Bill Smith, but his classical compositions are credited under the name William O. Smith.

Smith was born in Sacramento and grew up in Oakland, California, where he began playing clarinet at the age of ten. He put together a jazz group to play for dances at 13, and at the age of 15 he joined the Oakland Symphony. He idolized Benny Goodman, but after high school, a brief cross-country tour with a dance band ended his romance for the life of a traveling jazz musician. He gave two weeks' notice when the band reached Washington, D.C. Encouraged by an older band member to get the best education he could, Smith headed to New York.

He began his formal music studies at the Juilliard School of Music, playing in New York jazz clubs like Kelly's Stables at night. Uninspired by the Juilliard faculty, he returned to California upon hearing and admiring the music of Darius Milhaud, who was then teaching at Mills College in Oakland. At Mills, Smith met pianist Dave Brubeck, with whom he often played until Brubeck's 2012 death. Smith was a member of the Dave Brubeck Octet, and later occasionally subbed for saxophonist Paul Desmond in the Dave Brubeck Quartet. Brubeck's 1960 album Brubeck à la mode featured Smith performing ten of his own compositions with Brubeck's quartet (Yanow n.d.). Smith rejoined Brubeck's group in the 1990s. He studied composition with Roger Sessions at the University of California, Berkeley, where he was graduated with a bachelor's and a master's degree.

Winning the Prix de Paris presented Smith the opportunity for two years of study at the Paris Conservatory, and in 1957, he was awarded the prestigious Prix de Rome and spent six years in that city. He has since received numerous other awards, including two Guggenheim grants (Monaghan 1996).

After a teaching stint at the University of Southern California, Smith began a thirty-year career at the University of Washington School of Music in Seattle, where he taught music composition and performance, co-leading the forward-thinking Contemporary Group, first with Robert Suderburg, and then with trombonist Stuart Dempster, from 1966 to 1997 (Mitchell 2001).

He died at age 93 in his home from complications of prostate cancer on February 29, 2020 (de Barros 2020). Source: Wikipedia


Album Review

Tom Collier: Impulsive Illuminations

Read "Impulsive Illuminations" reviewed by Dan McClenaghan

Vibraphonist Tom Collier offers up something quite different from his previous Origin Records CDs, where he covered the jazz standards like John Coltrane's “Giant Steps; Miles Davis' “So What," and some seemingly unlikely pop hits: The Rolling Stones “What a Shame" and Brian Wilson's “God Only Knows," alongside his own always engaging compositions. With Impulsive Illuminations, the thirty year University of Washington educator (now retired) explores the world of improvisation with pianist Richard Karpen, in the trio mode, with five ...

Album Review

Bill Smith: Folk Jazz

Read "Folk Jazz" reviewed by David Rickert

Those few who recognize Bill Smith probably remember the recordings he made with the Dave Brubeck quartet replacing Paul Desmond in the horn chair (and fewer still have probably actually heard these recordings.) Yet the presence of West Coast luminaries like Jim Hall, Monty Budwig, and Shelley Manne certainly offers the possibility of a little-heard West Coast gem in this 1959 recording. However, the interesting concept that inspires Folk Jazz, essentially jazz treatments of folk tunes, never actually turns into ...

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Bill Smith And McCoy Tyner Are Gone

Bill Smith And McCoy Tyner Are Gone

Source: Rifftides by Doug Ramsey

James Moody told me that his Georgia-born grandmother said one morning while looking through the newspaper, “Folks is dyin’ what ain’t never died befo’.” The trend continues, as It always has and, if human suscsceptibility is a guide, always will. Recently, the parade of departures resumed when the jazz world lost two giants in their nineties, McCoy Tyner and William O. Smith. Smith a clarinetist, composer, teacher and formidable arranger, was 93. Encouraged by the classical composer Darius Milhaud when ...


Performance / Tour

Space in the Heart, a jazzopera by Bill Smith Nov. 5 and 6 NYC

Space in the Heart, a jazzopera by Bill Smith  Nov. 5 and 6 NYC

Source: Gina Genova

The Pocket Opera Players present Space in the Heart, a jazzopera composed by Bill (William O.) Smith to an original libretto by Peter Monaghan Starring Rachelle Fleming, Nicole Pasternak, and Dominic Inferrera, with Bill Smith, clarinet; John Eaton, piano; Michael Bisio, bass; Alan Bergman, drums. Directed by Beth Greenberg Join the cast and musicians for a live concert of original songs and standards after intermission. Bill Smith is a composer and virtuoso clarinetist with several decades of experience in new ...



Recordings: As Leader | As Sideperson


Origin Records


Folk Jazz

Fantasy Jazz


Odious Mode

From: Impulsive Illuminations
By Bill Smith



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