Albrecht Maurer studied violin and three semester viola at the Musikhochschule Köln. In addition, he pursued the study of non- European tonal systems and computer music with Johannes Fritsch und Klarenz Barlow. In the eighties Albrecht Maurer mainly played jazz fusion on synthesizers, violin and voice, while studying classical music. In the early nineties he began to focus on expanding and reinventing the violin‘s musical place: his works are characterized by sounds and loops, a broad timbral spectrum, percussive imitations and grooves all in combination with the energy of jazz and a classical technique. In 2002 Maurer bought a medieval fiddle to feel the early history of string playing. In 2008 he started to add his voice as a sound-extension and to play viola. He has worked with many jazz musicians including Kent Carter, Wolter Wierbos, Benoît Delbecq, Bobo Stenson, Norbert Stein, Klaus Kugel, Charlie Mariano, Karl Berger, Steve Argüelles, Barre Phillips, Carla Bley, Peter Jacquemyn, Lucian Ban and John Hébert. On medieval instruments he plays with Katarina Livljanic and Norbert Rodenkirchen. Together with Theo Jorgensmann Maurer plays in the Theo Jorgensmann & Albrecht Maurer - Duo Melencolia.
German and international music scene stalwarts, violinist Albrecht Maurer and flutist Norbert Rodenkirchen juxtapose the visual arts with music, focusing on German surrealist painter Max Ernst's ideologies, poetry, and techniques duly noted in the album liners. Here, the duo casts a hybrid, folk, jazz, and classical muse while bringing a polytonal agenda to the forefront, and uncannily melding a sense of antiquity with a newfangled complexion. These aspects are partly attributed to Maurer's use of a gothic fiddle that forges ...
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