For a collaborative effort to be successful the protagonists need to be antagonists as well. A similar vision helps, but a divergent focus creates tension. Jason Kao Hwang (violin) and Sang Won Park (kayagum, ajeng, voice) have shown this over the sixteen years they have collaborated. Among their projects was the quartet, Far Eastside Band, which recorded The Urban Archealogy (Victo, 1996) and Caverns (New World Records, 1994). This time they work as a duo
Hwang uses several styles in his compositions. He writes in the pure tones of classical music, lets free form find its space and takes Korean folk tunes into a modern realm.
Ari Rang is a six hundred year-old Korean tune that is reinvented. The innate beauty of the melody is laid open by Hwang, while Park plays the kayaguma twelve-stringed Korean zither that is plucked and serves to counterpoint the melodic lines. He also sings, the cadence in his voice enhancing the flavor of the song. Hwang dips into several nooks along the way, a little bit of swing, a classical air, and in a surprising, but nevertheless delightful move, he roves into country music. His playing is light and airy, dense and dark, creating an arresting portrait.
Listen is the perfect showcase for the way that Park and Hwang create and build sonic texture. They converse in gentle tones with Park on the ajeng. Park takes an intense and angular trajectory in contrast to the sweet tones of Hwang. Yet when they get together the disparate elements disappear and the get together smoothly. Invention is in constant evolution, from the high notes of the violin to the percussive taps on the strings of the ajeng, to the injection of the melody and its swift evaporation.
Local Lingo is seductive and captivating.
Track Listing: Listen; Ari Rang; Grassy Hills; Third Sight; Embers.
Personnel: Jason Kao Hwang: violin; Sang Won Park : kayagum, ajeng, voice.
Year Released: 2007
| Record Label: Euonymus Records
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.