The Giants of Jazz was an all-star band assembled by promoter George Wein in 1971. While Dizzy and Monk were the most celebrated members, the band also included Art Blakey (drums), Sonny Stitt (sax), Kai Winding (trombone) and Al McKibbon (bass).
By the time it arrived at the Monterey Jazz Festival in September of 1972, Gillespie had to absent himself to return to his own band and the group had inspired substitutions in the trumpet chairhere both Clark Terry and Roy Eldridge are present. While Eldridge was a Swing Era star, the the style practiced is a classic mainstream spanning late swing and early bop. Each of the horns get a ballad feature and each is a masterpiece of melodic improvisation: Terry's lustrous and barely accompanied "Stardust"; Winding's "Lover Man" with its warm cadenza; the sudden burst of Bird-inspired alto in Stitt's "I Can't Get Started" and Eldridge's "The Man I Love," all burnished brass and scorching highs. There are three up-tempo blowing tunes: Juan Tizol's "Perdido" (which favors the Ellingtonian in Terry) and two composed by the absent Gillespie, the opening "Blue 'n' Boogie" and the flag-waving conclusion (and Blakey anthem) "A Night in Tunisia." It's superb music-making, driven as much by camaraderie as competition (the latter quality one for which Eldridge and Stitt might be equally celebrated).
Monk, who would perform little after this, is in great form, turning in a beautiful "'Round Midnight" and comping with his usual rhythmic acuity. He combines with Blakey and McKibbon to provide drive and authority. Blakey is thunderous and there's little sense of a mere string of solos here. It's a real band with an enthused and slightly ragged vitality to the theme statements and occasional backing riffs, a combination of excitement and familiarity that could only be achieved by the best musicians saturated in their material. It might be the "Twilight of the Gods," but the musicians don't seem to know it.
Track Listing: Introduction by Jimmy Lyons; Blue 'n' Boogie; 'Round Midnight; Perdido; Stardust; Lover Man; I Can't Get Started with You; The Man I Love; A Night in Tunisia.
Personnel: Art Blakey: drums; Sonny Stitt: alto and tenor saxophones; Roy Eldridge: trumpet; Clark Terry: trumpet and flugelhorn; Kai Winding: trombone; Thelonious Monk: piano; Al McKibbon: bass.
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith
I've always loved jazz ...my mother was a classical pianist and my aunt was a blues singer, who was managed by Clarence Williams (Bessie Smith's producer). As a young boy, they introduced me to people like Louis Armstrong, Sarah Vaughan, and Jimmy Smith. We hung out at my Aunt Kate's Soul Food restaurant in Harlem after the matinees at the Apollo where I listened to their stories. I knew I wanted to be a jazz musician from then on. My mother wanted me to play piano, but my Aunt bought me a guitar. I've been playing ever since.
At my mother's early prompting, I first sang Blue Velvet at my Catholic elementary school...and all the nuns came running in and asked me to sing again, so I knew I must have sounded pretty good. I've been singing ever since.
I met Tony Bennett in Miami and he inspired me to return to New York. He was a great mentor.
The best show I ever attended is mpossible to say, I've seen so many great shows. From Tony Bennett to Pat Martino, Return to Forever to Weather Report...I've seen some great performances.
My advice to new listeners is don't let jazz intimidate you, the music has something for every listener and it is our American gift to the world.