If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Multi-instrumentalist Simon Price offers shades of vintage Brian Eno ambient-electronica, with psychedelic hooks and minimalist terrestrial planes, via his one-man solo effort, bearing the group moniker kandodo. He also intersperses an off-center new age vibe into the grand mix via oscillating guitar parts, thought-provoking textural components and tasteful themes sprinkled throughout.
"Lord Hyena, 3am" closes out the album and boasts a '70s-inspired, spaced-out groove. With gradually climactic crescendos and psycho guitar overlays, Price summons a Berkeley flower-power mindset with an interstellar electronica impetus. From a lyrical standpoint, he elongates matters into a sweeping horizontal plane and merges the guitar fireworks with hauntingly melodic choruses. He interconnects dainty pastoral settings with a multifaceted framework, while often imparting a big sound.
The album features a divergent mix of daintily fabricated ideas, coupled with various levels of intensity. Price crafts an idyllic sound that borrows from the past yet isn't bogged down with clichés. His sharp focus and broad imaginative powers yield bountiful fruit.
Personnel: Simon Price: guitars, keyboards, tambourine, drum pedal, and slowly breaking Walkman recorder.
I love Jazz because of its freedom.
I was first exposed to jazz in my teenager years.
I have met Art Blakey in Juan-les-Pins, my drum teacher Orphelia took us to his concert, it was magical!
The best Jazz shows I ever attended were Art Blakey, Michel Petrucciani, Miton Nascimento, Naná Vasconcelos.
The first jazz record I bought was Jazz from Hell by Frank Zappa.