If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
This all-star date incorporates the aggressive electric sound of guitarist Joe Beck with the fusion bona fides of bassist Mark Egan and drummer Danny Gottlieb. These guys have been friends for some time and it shows in the excitement of the playing. Beck and his comrades mix it up rhythmically, sonically, electrically, and repertoire-wise. The group has no trouble taking on old ballads such as "I Love You" and "Just Friends" (check out Gottlieb’s brushes on the former and Egan’s full-throated approach on the latter.)
The trio pretty well keeps it between the ditches through-out the album until Beck’s & "Zanzibar" and "Get Ready" when the boys begin to stretch out and have fun. Egan gives a seamless solo on "Zanzibar." "Softly, As In a Morning Sunrise" is taken at a light-speed clip with out a lost note. There Will Never be Another You" is also taken at a fast clip and enjoys a fast Danny Gottlieb solo. & quot;Blues for Joe Farrell" becomes a bit psychedelic, showing off Beck’s rocking chops. Listening to this recording, it is hard for one to understand what Miles Davis was complaining about after the release of his expansive record Circle in the Round.
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!