All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

7

Colin Cannon: Intermission

Dave Wayne By

Sign in to view read count
Thank heavens Colin Cannon divided Intermission (Farewell) into three parts because there's so much going on in this recording that it'd almost impossible to review otherwise. Intermission (Farewell) is the young guitarist's fourth recording as a leader. The fact that he's been recording with the same core musicians (bassist Zak Croxall, drummer Tom Hartman, and keyboardist Manami Morita) since 2009 says something. The music on Intermission (Farewell) is so multi-faceted, so detailed and so complex, that its success would almost require some sort of long-term musical relationship. Cannon's compositions are all over the place, stylistically. A good chunk of the album has the sound and feel of classic 1970s fusion and heavy progressive rock. Think Bill Connors-era Return to Forever, or Eric Johnson's original band Electromagnets, or the later version of the Mahavishnu Orchestra with Narada Michael Walden on drums, or even present-day exponents of the fusion sound such as Animals as Leaders. This big sound dominates the passages played by Cannon, Morita, Croxall and Hartman; tunes such as "Mofo," "Still Breathing," "Farewell," and the middle part of "Everyday." However, in addition to the core quartet, there are also guest soloists on reeds, trumpet, and vibes, plus a string section and a vocal chorus. Amidst all of this are a panoply of vocal and found-sound samples. So, as delectable as the fusion stuff is, Cannon is out to fry much bigger fish both musically and conceptually. Yes, Intermission (Farewell) appears to be a good old-fashioned prog-fusion concept album.

Cannon himself seems a little nonplussed as to what the concept is, however. In a brief liner note he says " Like all music, this is just another self-absorbed attempt to make a story out of everything, to make everything seem connected and designed, when in reality maybe nothing is... maybe everything is... I wouldn't know so quit buggin' me." Despite his apparent ambivalence, Cannon weaves a dizzying variety of musical elements into an engaging and quite entertaining recording; one that practically begs for repeated listens. The totality of Intermission (Farewell) is actually closer to Steven Wilson's recent fusion-leaning solo albums such as The Raven That Refused to Sing (and Other Stories) (Kscope, 2013) and Hand. Cannot. Erase. (Kscope, 2015). The vocal-dominated passages ("La Da," "Bugs and Stuff," and the first part of "Recollections") have an oddly folksy, churchy, sing-along character that recall some of Sufjan Stevens' larger-scale non-electronic projects. Shorter instrumentals are more atmospheric, with the found voices, processed choral vocals and the string section providing an ever-shifting background for Cannon's classical-sounding acoustic. Surprisingly, "Colin Goes To Church" is a doom-laden electronic soundscape which resolves into the liturgical "Bugs and Stuff." There's even a goofy sample of actual old-fashioned intermission music that sort of shocks the listener out of whatever dream state Cannon's music might induce.

There's a lot of detail to Intermission (Farewell). It's not the sort of album one listens to casually in the car or at the gym. It's afar better on the home stereo, with one's full attention directed towards it. Even though it starts out unassumingly, with Cannon's lush solo acoustic well out in front, there is a lot going on here; sometimes too much! That said, Intermission (Farewell) is an incredibly powerful artistic statement that firmly cements Cannon and his band mates in the "musicians to watch" category. Bravo!

Track Listing: (Part 1) Your Everyday Prelude; Everyday; La Da; “My Time to Shine” –MM; Mofo; Intermission; (Part 2) Still Thinking; Still Breathing; Collin Goes To Church; Bugs and Stuff; Farewell; (P.S.) Recollections 1; Recollections 2; Recollections 3.

Personnel: Zak Croxall: electric and upright bass; Tom Hartman: drums; Manami Morita: piano, fender Rhodes, melodica; Colin Cannon: guitars, ukulele; synthesizer, vocals and sound effects; Devin Dunne Cannon: vocals; Brik Olson: vocals; Madison Straton: vocals; Alex Mitchell: vocals; Tomako Omura: violins; Allyson Claire: viola; Kristine Kruta: cello; David Carkner: trumpet; Sly Onyejiaka: tenor saxophone, bass clarinet; Yuhan Su: vibraphone.

Title: Intermission | Year Released: 2016 | Record Label: Self Produced

Tags

comments powered by Disqus

CD/LP/Track Review
Read more articles
Intermission (Farewell)

Intermission...

Self Produced
2016

buy
Intermission

Intermission

Self Produced
2016

buy
Glenville

Glenville

Self Produced
2012

buy

Related Articles

Read Dreams And Other Stories CD/LP/Track Review
Dreams And Other Stories
by Dan McClenaghan
Published: September 22, 2018
Read The Nook CD/LP/Track Review
The Nook
by Geno Thackara
Published: September 22, 2018
Read Julius Eastman - Piano Interpretations CD/LP/Track Review
Julius Eastman - Piano Interpretations
by Troy Dostert
Published: September 22, 2018
Read Moments Before CD/LP/Track Review
Moments Before
by Jakob Baekgaard
Published: September 22, 2018
Read From The Vault: No Security, San Jose '99 (2CD + SD Blu Ray) CD/LP/Track Review
From The Vault: No Security, San Jose '99 (2CD + SD...
by John Kelman
Published: September 22, 2018
Read with whom you can be who you are CD/LP/Track Review
with whom you can be who you are
by Dan McClenaghan
Published: September 21, 2018
Read "Give Us These Days" CD/LP/Track Review Give Us These Days
by Dan Bilawsky
Published: June 30, 2018
Read "Bitter Almonds" CD/LP/Track Review Bitter Almonds
by Nenad Georgievski
Published: November 25, 2017
Read "Dimebag" CD/LP/Track Review Dimebag
by Samuel Stroup
Published: December 8, 2017
Read "From Silence to Somewhere" CD/LP/Track Review From Silence to Somewhere
by Glenn Astarita
Published: March 21, 2018
Read "Cosmic Playground" CD/LP/Track Review Cosmic Playground
by Don Phipps
Published: February 20, 2018
Read "Twio" CD/LP/Track Review Twio
by Roger Farbey
Published: February 9, 2018