51

Hristo Vitchev / Weber Iago: Heartmony

Karl Ackermann By

Sign in to view read count
Surprisingly few piano and guitar duos have been recorded in the jazz genre. Perhaps it is that the instruments work together best when the music is highly nuanced and, frankly, nuance can be boring. Bulgarian guitarist Hristo Vitchev and Latin Grammy-nominated pianist Weber Iago have managed to avoid the abyss of ennui very nicely on Heartmony, a collection of original pieces that are both urbane and appealing.

The two opening ballads, "Under Trees of Color, Over Fields of Grey" and "Musica Humana," combine chamber jazz expressionism and harmonic invention. Vitchev works in both electric and acoustic mode, creating different sonic characteristics with fluidity and intricacy. Iago's classical influences are sometimes flickering, sometimes intense. He creates a pastoral setting that evokes Aaron Copland's Appalachian Spring. Both Vitchev and Weber play as extensions of each other, individually and collectively guiding each piece with increasing but subtle complexity.

"Crepuscular Rays" is anchored with acoustic guitar while Iago plays multifaceted improvisations. The duo trade the lead before Iago wraps up the piece with some overdubbed wordless vocalizing. "The Farewell" is a three-part suite that begins with the slow, stately "Prelude to an Act of Departure," which segues into the melancholy "The Imperative Expression." The third part, "And May We Meet Again," is the collection's most upbeat piece. Here, Hristo uses his acoustic guitar as a percussion instrument while Igor demonstrates his ability to play with speed and dexterity without sacrificing lyricism.

Vitchev and Weber, having played together in larger groups, have clearly developed an ease in playing sophisticated and appealing music that is far more complex than it first appears. They skillfully suppress and build momentum within rich, shadowy twists of their main theme. As structured as Heartmony is, it is necessarily structured to keep a proper balance between the technical and the expressive. Nevertheless, these are compositions in which improvisation is as prevalent as the profound musical and harmonic insights.

Track Listing: Under Trees Of Color, Over Fields Of Grey; Musica Humana; Memories In Black And White; The Last Leaves Which Fell In Fall; Prelude To The Crepuscular Rays; Crepuscular Rays; Preulde To An Act Of Departure; The Imperative Expression; And May We Meet Again; Prelude To A Melancholic Heart; The Melancholic Heart.

Personnel: Hristo Vitchev: guitar; Weber Iago: piano.

Title: Heartmony | Year Released: 2012 | Record Label: First Orbit Sounds


Tags

Related Video

comments powered by Disqus

More Articles

Read For the Love of You CD/LP/Track Review For the Love of You
by Jack Bowers
Published: October 21, 2017
Read Recent Developments CD/LP/Track Review Recent Developments
by John Sharpe
Published: October 21, 2017
Read Triple Double CD/LP/Track Review Triple Double
by Glenn Astarita
Published: October 21, 2017
Read Agrima CD/LP/Track Review Agrima
by Jerome Wilson
Published: October 21, 2017
Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read "Ask Seek Knock" CD/LP/Track Review Ask Seek Knock
by Roger Farbey
Published: June 28, 2017
Read "avantNOIR" CD/LP/Track Review avantNOIR
by Glenn Astarita
Published: March 21, 2017
Read "Escualo" CD/LP/Track Review Escualo
by Duncan Heining
Published: November 24, 2016
Read "Graviton" CD/LP/Track Review Graviton
by Roger Farbey
Published: June 8, 2017
Read "Putting Off Death" CD/LP/Track Review Putting Off Death
by Glenn Astarita
Published: August 17, 2017
Read "Ugly Beauty" CD/LP/Track Review Ugly Beauty
by Nick Davies
Published: July 20, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.