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Here, Scotsman, Nigel Clark utilizes a nylon string acoustic guitar for a series of predominately up-tempo standards and original compositions. Besides being influenced by the great Gypsy guitarist, Django Reinhardt - the artist rounds out his overall attack with rippling single note leads, and classically tinged, flamenco-style expressionism. Clark also utilizes space and depth in concert with his band’s lightly swinging tempo on Herbie Hancock’s “Dolphin Dance.” Whereas, the guitarist renders blazingly fast, yet concisely stated lines atop a peppery samba groove during his composition titled, “Sakura Samba.” However, the musicians perpetuate an open-air like environment on, “Island Dance,” where the leader harmonizes with bassist, Ewen Vernal amid complexly stated passages and the rhythm sections’ oscillating swing groove. Otherwise, Clark tempers the generally vibrant proceedings with a few nicely arranged ballads.
A guitarist who has performed with a variety of European notables, spanning multiple genres, Clark demonstrates his eloquent phraseology and near supersonic speed throughout this altogether attractive program. Simply put, Clark is a facilitator of fine jazz music via his awe-inspiring technique, graceful mode of execution and mood-evoking sensibilities. Recommended.
Track Listing: 1.East of the Sun 2.Grand Hotel Europa 3.Dolphin Dance 4.Sakura Samba (Cherry Blossom Samba) 5. Once I Loved 6.In Another Mood 7.Island Dance 8.Caso De Verao (A Summer Affair) 9.How Deep Is The Ocean 10.You Are Too Beautiful
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...