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It's probably time to cast aside labels like "up-and-coming" and "rising star" when describing Jimmy Greene. As Gifts and Givers makes clear, the Connecticut-born tenor saxophonist has definitely arrived.
An inventive, technically-advanced mainstreamer, Greene made his mark in the bands of Horace Silver, Tom Harrell and Harry Connick Jr., as well as with younger studs like Jason Lindner and Avishai Cohen. On his fifth effort as a leader, he's paired with another young tenor titan, Marcus Strickland. The two saxophonists prove themselves a like-minded and well-matched pair as they lead an explosive rhythm sectionthe superb drummer Eric Harland, bassist Reuben Rogers, guitarist Mike Moreno and promising young pianist Danny Grissett (now he is a "rising star")through a set of compelling originals and nicely varied standards, including John Coltrane's harmonically complex "26-2," New Orleans legend James Black's intricate "Magnolia Triangle" and Kenny Dorham's "Blue Bossa" (with Greene doubling on soprano sax).
While they mostly steer away from the sort of twin-tenor battle popularized by Sonny Stitt and Gene Ammons, Greene and Strickland do get into some high-octane, old school jamming, notably on Stitt's bebop chestnut, "Eternal Triangle." The opening "Mr. McLean" is a rousing tribute to Greene's mentor, the great alto saxophonist Jackie McLean, with the two tenors expertly capturing McLean's intensity and unique inside-outside sensibility.
All in all, it's an impressive outing that should help solidify Greene's reputation as one of the better tenor saxophonists of his generation.
Track Listing: Mr. McLean; Greene Blues; Forever; Magnolia Triangle; 26-2; Blue Bossa/Boudreaux; Eternal Triangle.
Personnel: Jimmy Greene: tenor and soprano saxophones; Marcus Strickland: tenor saxophone; Mike Moreno: guitar; Danny Grissett: piano; Reuben Rogers: bass; Eric Harland: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.