All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Gema is Maria Jameau's collection of Brazilian, Spanish, and African tunes, with the ostensible intention of showing how big the folk musical tent is. Jameau and her band, Blue Brazil, are centered in the culturally-rich Sonoma County, where the muse is strong for an organic mix of musical influences, all thickened with the roux of Mother Africa. The regions of origin for a given selection is easily identified, but there exists a rhythmic thread passing through all of this music like the Biblical remnant of Christian tradition.
Amongst these eleven songs emerges the enlightening Kenyan pop song, "Malaika." Surrounded by plush samba and Spanish beats, something more basic and fecund blooms, stripping away regional artifice to reveal that all these musics have in common: the harmony and rhythmthe life pulse. In "Malaika" can be heard plainchant, chansons and European folk tunes as well as native American and Canadian songs. Jameau beautifully renders this piece so it will teach those commonalities among us all.
Personnel: Maria Jameau: vocals; Pablo Rodriguez: acoustic guitar, vocals; Nate
Lopez: Electric 8-string hybrid bass, guitar; jacob Harris: percussion,
vocals; Bob Afifi: flute.
As a kid, my mom told me I'd like jazz. I thought she was nuts. Then I went to hear Cannonball Adderley (with Nat Adderley, George Duke, Walter Booker, Roy McCurdy and Airto) and everything changed. Yeah, mom knows best.