Home » Jazz Articles » Album Review » Dom Minasi & Juampy Juarez: Freeland
Dom Minasi & Juampy Juarez: Freeland
Minasi's beautiful ballad "Angela" (which he has recorded before) opens the set, and shows both players in lyrical form. This track would be right at home on a mainstream bebop guitar album, complete with sparkling harp harmonics at the end. His "Blues, Blues, Blues" delivers what the title promises (albeit with a distinctly Monkish flavor), but it also has edgy moments well outside the traditional blues box, especially a wild, dissonant duet section.
Two brief improvisations occupy the center point of the album. After a rubato opening, the first develops into an intense rhythmic workout. The second is much more reflective, and concludes with more of those lovely harmonic arpeggios. Minasi's "Inside Out" is another memorable ballad (which recalls the Thelonious Monk standard "'Round Midnight"), and it elicits more expressive melodic invention from both players.
Juarez makes his sole compositional contribution with "Tritonal Ballad," a piece heavy on the tritones and light on ballad feeling. It has a distinctive harmonic signature, more "out" than the straight jazz tunes but less harmonically unpredictable than the freer playing. There were numerous Monk references throughout the session, but the finale finally gets to the real thing: a gleeful romp through "Well, You Needn't," with the players egging each other on to further and further extensions of the original harmony.
Contemporary jazz guitar playing doesn't get much better than this. An easy recommendation to guitar fans who like their bebop with a bit of spice.
Track Listing
Angela; Blues, Blues, Blues; Brown Eyes; Improv 1; Improv 2; Inside Out; Tritonal Ballad; Well You Needn’t.
Personnel
Dom Minasi
guitarJuampy Juarez
guitarAlbum information
Title: Freeland | Year Released: 2019 | Record Label: Cirko Records
About Dom Minasi
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







