If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Keith Oxman's straight-ahead sextet interprets this program of standards and original compositions with a veteran's touch. Trumpeter Marcus Hampton sits in for "C.H.O.C., oboist Peter Cooper for "Darn That Dream. With his cohesive ensemble in sync, the tenor saxophonist delivers a clear message.
Keith Oxman is from Denver. His thirty years' experience in the jazz world includes an extensive stint with the Buddy Rich Big Band. His "Dues in Progress reflects the same kind of soulful swing that Rich championed. Oxman's tenor leaps out in front of his ensemble, taking off with hard rips and free-flowing spurts that coalesce with the actions of his musical partners. Everyone works together seamlessly and cohesively, still taking advantage of plenty of solo opportunities.
Oxman interprets Joe Henderson's "Serenity with a quartet, allying himself with the group's straight-ahead coolness. His casual tenor rollicks with the song's playful appearance, while pianist Chip Stephens applies dramatic undercurrents. Oxman's duo interpretation of Thirty-One for Strayhorn works with tender piano accompaniment, which slows with meaningful dialogue. The piece represents an artist's view of hearts on fire. Two and Fro is a brief, up-tempo tenor/drum duet where notes and accents fly in all directions.
Romps such as "Anna Kate, "Cap'n Kidd and "Two Wheelin' Nathan find the sextet reveling in a standard straight-ahead format that keeps the fires burning. For most of the session, however, those fires are maintained at low heat, keeping a constant vigil on the ensemble aspect of Oxman's program and ensuring that all points are connected properly. Stephens' piano and the leader's tenor provide the hottest soloing, and the shifting ensembles surround each profile with counterpoint that tucks the music into a suitable envelope of jazz history.
Track Listing: I Hear a Rhapsody; Susan; Dues in Progress; Anna Kate; Cap
Personnel: Keith Oxman: tenor saxophone; Chip Stephens: piano; Ken Walker: bass; Todd Reid: drums;
Curtis Fuller: trombone; Al Hood, Marcus Hampton (11): trumpet; Peter Cooper: oboe (6).
I love Jazz because of its freedom.
I was first exposed to jazz in my teenager years.
I have met Art Blakey in Juan-les-Pins, my drum teacher Orphelia took us to his concert, it was magical!
The best Jazz shows I ever attended were Art Blakey, Michel Petrucciani, Miton Nascimento, Naná Vasconcelos.
The first jazz record I bought was Jazz from Hell by Frank Zappa.